Handel: Messiah
Lucia Popp (soprano), Brigitte Fassbaender (mezzo), Robert Gambill (tenor), Robert Holl (bass)
Sudfunkchor & Radio-Sinfonieorchester Stuttgart, Neville Marriner
Handel: Messiah
Lucia Popp (soprano), Brigitte Fassbaender (mezzo), Robert Gambill (tenor), Robert Holl (bass)
Sudfunkchor & Radio-Sinfonieorchester Stuttgart, Neville Marriner
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About
Musical brightness and splendour: Handel's oratorios were effective dramatic works for the stage, with one exception: The Messiah. But precisely the reflective character and solemn style of the score helped the work achieve resounding success. For the first time, oratorios were allowed to be performed in church, and The Messiah soon had a firm place in choral societies' standard repertoire.
Contents and tracklist
- Robert Gambill (tenor), Robert Holl (bass), Brigitte Fassbaender (contralto), Lucia Popp (soprano)
- Radio-Sinfonieorchester Stuttgart des SWR, Südfunkchor
- Sir Neville Marriner
- Recorded: 1984-05-24
- Recording Venue: 24.-30.05. & 19.07.1984, Stuttgart, Studio Berg
Nr.2 Tröste dich, mein Volk ... & Nr.3 Alle Tale macht hoch erhaben (Accompagnato & Arie: Tenor)
Track length6:11
Es waren Hirten beisammen & Nr.13 Und siehe, der Engel des Herrn trat zu ihnen & Und der Engel sprach zu ihnen (Rezitativ, Accompagnato & Rezitativ: Sopran)
Track length1:03
- Brigitte Fassbaender (contralto), Robert Gambill (tenor), Robert Holl (bass), Lucia Popp (soprano)
- Radio-Sinfonieorchester Stuttgart des SWR, Südfunkchor
- Sir Neville Marriner
- Recorded: 1984-05-24
- Recording Venue: 24.-30.05. & 19.07.1984, Stuttgart, Studio Berg
- Lucia Popp (soprano), Robert Holl (bass), Brigitte Fassbaender (contralto), Robert Gambill (tenor)
- Radio-Sinfonieorchester Stuttgart des SWR, Südfunkchor
- Sir Neville Marriner
- Recorded: 1984-05-24
- Recording Venue: 24.-30.05. & 19.07.1984, Stuttgart, Studio Berg
Nr.44 O Tod, o Tod, wo ist dein Stachel? & Nr.45 Drum Dank sei Dir, o Gott (Duett: Alt - Tenor & Chor)
Track length3:59