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Morgan Hayes: Violin Concerto & Other Works

Keisuke Okazaki (violin) & Jonathan Powell (piano)

Esbjerg Ensemble, Christopher Austin

Hayes makes witty assemblages out of brilliantly coloured shards and balletic gestures. Wonderful performances; luminous and warm recorded sound.

Morgan Hayes: Violin Concerto & Other Works

Keisuke Okazaki (violin) & Jonathan Powell (piano)

Esbjerg Ensemble, Christopher Austin

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Hayes makes witty assemblages out of brilliantly coloured shards and balletic gestures. Wonderful performances; luminous and warm recorded sound.

About

Morgan Hayes won the Guildhall School of Music & Drama's coveted Lutoslawski Prize in 1995; he subsequently studied with Michael Finnissy, Simon Bainbridge and Robert Saxton.

This is Morgan's first full-length CD.

Port Rhombus is a transcription of a work by drum & bass/electronica artist Squarepusher who appears on Warp Records.

You can hear the original piece on YouTube here http://youtu.be/kSnhXGVTdbk

"Morgan Hayes captured an elegiac melancholy in his transformation of Squarepusher’s Port Rhombus" Tom Service, Guardian

This is the first time leading Danish group Esbjerg Ensemble has recorded for a UK label. Morgan Hayes’ delicate yet manic Violin Concerto forms the centrepiece to this debut release on NMC showcasing his instrumental and ensemble music. Included are his transcription of Squarepusher's Port Rhombus, commissioned for the South Bank Centre's 2003 Ether Festival, which captures the beauty and fragility of this experimental drum'n'bass work from 1996; Lucky Speech for solo violin, inspired by a character from Beckett’s Waiting for Godot; a collection of piano miniatures Strides Book I & II; and the dramatic solo piano work Puppet Theatre, which refers to the title of the painting by Paul Klee, featured on the front cover of this CD.

Contents and tracklist

I. —
Track length1:52
II. —
Track length1:16
This track is only available as an album download.
III. —
Track length2:02
No. 3, Corrugated
Track length1:59
No. 2, Flaking Yellow Stucco
Track length3:02
No. 1, Chipped Marble
Track length3:47
I. —
Track length1:55
II. —
Track length1:31
III. —
Track length2:17
IV. —
Track length1:23
V. —
Track length1:15

Awards and reviews

December 2011

Hayes makes witty assemblages out of brilliantly coloured shards and balletic gestures. Wonderful performances; luminous and warm recorded sound.

April 2012

If the composer is new to you, Lucky's Speech could be a good introduction...The startle factor is high. Expect spontaneity and, in the piano pieces particularly, an impression that the gestural activity has been borne out of improvisation...NMC has given Hayes an attractive visiting card which makes me curious to follow what he will do next.

6th November 2011

Okazaki offers two solos, both inspired by Lucky in Beckett’s Waiting for Godot. Powell is soloist in the densely expressionistic Slippage (1999), for piano and ensemble, and by himself plays four typically pungent works, including two books of the miniatures series Strides. Hayes’s version of Squarepusher’s Port Rhombus makes a striking overture.

24th November 2011

Even without the literary subtext...the Concerto is a beautifully wrought piece, with long, expressive lines punctuated by fierce collisions, and underpinned with a clear tonal scheme.

2nd December 2011

The most substantial piece is the Violin Concerto, which is beautifully played by Keisuke Okazaki and the Esbjerg Ensemble. Among the other pieces are some witty piano miniatures played by Jonathan Powell, and a delightful arrangement of Squarepusher’s “Port Rhombus”.
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