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Schubert: Winterreise D911

James Gilchrist (tenor) & Anna Tilbrook (piano)

Gilchrist and Tilbrook deliver some of the more expansive songs very well...Gilchrist's voice is admirably suited to gentle, lyrical singing.

Schubert: Winterreise D911

James Gilchrist (tenor) & Anna Tilbrook (piano)

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Gilchrist and Tilbrook deliver some of the more expansive songs very well...Gilchrist's voice is admirably suited to gentle, lyrical singing.

About

Third and final recording in renowned British tenor James Gilchrist’s series of Schubert song recitals for Orchid Classics, following on from Die schöne Müllerin (ORC100006) and Schwanengesang (ORC100013)

Both earlier releases have been received with much critical acclaim, with Andrew Mellor in BBC Music referring to “Gilchrist’s treasure-trove of a voice”

“he is now unsurpassed amongst lyric tenors in sweetness and technical security, and for his musical intelligence” The Independent

Texts/translations included.

Notes in English and German.

Contents and tracklist

Gute Nacht
Track length5:29
Die Wetterfahne
Track length1:45
Gefrorne Tränen
Track length2:42
Erstarrung
Track length2:55
Der Lindenbaum
Track length4:35
Wasserflut
Track length4:16
Auf dem Flusse
Track length3:24
Rückblick
Track length2:00
Irrlicht
Track length2:35
Rast
Track length3:33
Frühlingstraum
Track length4:45
Einsamkeit
Track length3:04
Die Post
Track length2:13
Der greise Kopf
Track length3:21
Die Krähe
Track length2:21
Letzte Hoffnung
Track length1:55
Im Dorfe
Track length3:16
Der stürmische Morgen
Track length0:48
Täuschung
Track length1:39
Der Wegweiser
Track length4:28
Das Wirtshaus
Track length4:32
Mut!
Track length1:28
Die Nebensonnen
Track length3:10
Der Leiermann
Track length3:48

Awards and reviews

January 2012

Gilchrist and Tilbrook deliver some of the more expansive songs very well...Gilchrist's voice is admirably suited to gentle, lyrical singing.

Classical Music 22nd October 2011

Gilchrist rejects the declamatory style of delivery currently fashionable...adopting instead a more subtle, understated and - in the long run - more moving approach...he makes a believably vulnerable journeyman...Tilbrook again proves an inspired, imaginative collaborator and the Potton Hall recording is superb.
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