Schubert: Winterreise D911

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Perhaps the distinguishing feature of this version is the accompaniment of Malcolm Martineau, who contrives to bring some new insight to every single song, without ever sounding mannered...Florian... — BBC Music Magazine, January 2012, 5 out of 5 stars More…

Release Date: 17th Oct 2011
Catalogue No: ONYX4077
Label: Onyx
Series: Boesch & Martineau Schubert Song Cycles
Length: 76 minutes

Schubert: Winterreise D911

Work length1:16:31

$24.00

$33.60

Florian Boesch, Malcom Martineau

Gute Nacht

Track length5:38

$1.00

$1.40

Die Wetterfahne

Track length2:00

$1.00

$1.40

Gefror'ne Tränen

Track length2:44

$1.00

$1.40

Estarrung

Track length3:03

$1.00

$1.40

Der Lidenbaum

Track length4:46

$1.00

$1.40

Wasserflut

Track length4:34

$1.00

$1.40

Auf dem Flusse

Track length3:52

$1.00

$1.40

Rückblick

Track length2:10

$1.00

$1.40

Irrlicht

Track length2:40

$1.00

$1.40

Rast

Track length3:35

$1.00

$1.40

Frühlingstraum

Track length4:46

$1.00

$1.40

Einsamkeit

Track length2:54

$1.00

$1.40

Die Post

Track length2:29

$1.00

$1.40

Der greise Kopf

Track length3:11

$1.00

$1.40

Die Krähe

Track length2:11

$1.00

$1.40

Letzte Hoffnung

Track length2:26

$1.00

$1.40

Im Dorfe

Track length3:25

$1.00

$1.40

Der stürmische Morgen

Track length0:55

$1.00

$1.40

Täschung

Track length1:21

$1.00

$1.40

Der Wegweiser

Track length4:14

$1.00

$1.40

Das Wirtshaus

Track length4:36

$1.00

$1.40

Mut!

Track length1:25

$1.00

$1.40

Die Nebensonnen

Track length3:00

$1.00

$1.40

Der Leiermann

Track length4:36

$1.00

$1.40

About
Reviews
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About

Florian Boesch’s debut disc on ONYX was the highly acclaimed Schumann Heine Lieder (ONYX4041), and he again teams up with Malcolm Martineau for the journey through the bleak and wintry landscape of Schubert’s Winterreise.

Composed in 1827, work on the settings of Wilhem Muller made Schubert agitated and disturbed according to friends. Indeed the songs shocked his friends when first heard – so powerful is the emotional content of the music that it still has the ability to shock and move the listener. The journey starts with ‘Goodnight’, as our traveller walks away from us into the moonlit snowy landscape. At the end of the cycle ‘The Signpost’ he takes the path to his death.

Reviews

January 2012

Perhaps the distinguishing feature of this version is the accompaniment of Malcolm Martineau, who contrives to bring some new insight to every single song, without ever sounding mannered...Florian Boesch, the possessor of a fine but not especially distinctive voice, takes his cue from him...and the collaboration is complete...The whole cycle moves into silence in a way that I have not heard before.

March 2012

this new version by Florian Boesch and Malcolm Martineau is inspired and quite unforgettable. It has total spontaneity, a superbly balanced, totally natural recording, with the pianist making a perfect partnership with the singer...What is remarkable in a performance of this calibre is that the sadness which permeates all these songs....is always affecting.I cannot recommend this CD too highly.

January 2012

Boesch's baritone, rich, most of the time quiet or very quiet, and always in tune, has, here and throughout this performance, a brooding thoughtfulness, as if he were discovering for himself and for the first time the depths of desolation....Boesch's and Martineau's is a coherent and agonising narrative, giving the listener the sense of a real, cold, protracted journey for heartbroken resolve to a desolate longing.

June 2012

an impressive traversal of Schubert’s winter journey. Florian Boesch’s singing is consistently involving and interesting and the support he receives from Malcolm Martineau is first class. Boesch enters fully into every song and it’s clear that he’s delving below the surface of the music. This is a fine addition to the discography of this engrossing song cycle.

19th February 2012

and vivid account by the Austrian Florian Boesch. It is very much a joint achievement. Malcolm Martineau is an absolutely equal partner, a sorrowing, desolate, angry participant at every moment in the cycle...an exceptionally free, imaginative and dramatic interpretation.

10th November 2011

all the more powerful for being so admirably reined-in. Boesch's methodology has often been described as expressionist, though in this instance he's less overtly declamatory than you might expect...The hallucinatory quality of his interpretation is matched by a corresponding vividness in Martineau's playing...It makes for very difficult listening, but is unquestionably superb.

Schubert: Winterreise D911

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