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Rossini: La cambiale di matrimonio

Vito Priante (Tobia Mill), Julija Samsonova (Fanny), Daniele Zanfardino (Edoardo Milfort), Giulio Mastrototaro (Slook), Tomasz Wija (Norton), Francesca Russo Ermolli (Clarina) & Massimiliano Tanzini (harpsichord continuo)

Württemberg Philharmonic Orchestra, Christopher Franklin

It is sprucely, at times wittily conducted by Christopher Franklin, and there is a good cast that includes a decent tenor as the romantic lead and a pair of lively buffo basses

Rossini: La cambiale di matrimonio

Vito Priante (Tobia Mill), Julija Samsonova (Fanny), Daniele Zanfardino (Edoardo Milfort), Giulio Mastrototaro (Slook), Tomasz Wija (Norton), Francesca Russo Ermolli (Clarina) & Massimiliano Tanzini (harpsichord continuo)

Württemberg Philharmonic Orchestra, Christopher Franklin

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It is sprucely, at times wittily conducted by Christopher Franklin, and there is a good cast that includes a decent tenor as the romantic lead and a pair of lively buffo basses

About

La cambiale di matrimonio (The Bill of Marriage), composed when Rossini was just 18 years old, was given its first performance alongside Non precipitare i giudizi ossia La vera gratitudine (Don’t rush to judgement or True gratitude) an opera by Giuseppe Farinelli. The libretto was the work of Gaetano Rossi, who was later to provide the libretti for Rossini’s masterpieces Tancredi and Semiramide.

The plot revolves around the farcical attempts of Tobia Mill, a rich English merchant, to combine business with pleasure by forcing his daughter, the lovely Fanny (‘merchandise’) to marry Slook, his rich colonial correspondent from America, by means of a bill of exchange. Eventually, it is the gallant Slook himself who persuades Mill to allow Fanny to marry her true love, Edoardo Milfort.

Recorded during performances at the Kurhaus, Bad Wildbad, Germany July 2006, at the XVIIIth ROSSINI IN WILDBAD Festival.

Contents and tracklist

Sinfonia
Track length5:28
Introduzione. Non c'e il vecchio sussurrone (Clarina, Norton)
Track length2:14
Cavatina. Chi mai trova il dritto, il fondo (Mill)
Track length2:26
Stretta dell'introduzione: Ecco una lettera per voi, signore (Norton, Clarina, Mill)
Track length1:13
Recitativo. Ma, signore, questa lettera (Norton, Mill, Clarina)
Track length3:09
Duetto. Tornami a dir che m'ami (Edoardo, Fanny)
Track length3:57
Recitativo. Si, cara mia, speriam: Fra pochi giorni - Scene 4: Avete voi veduto (Norton, Fanny) - Scene 5: Presto, presto [Mill, Fanny, Edoardo] [Edoardo, Fanny]
Track length2:24
Cavatina. Grazie … Grazie … (Slook, Fanny, Clarina, Edoardo, Mill)
Track length4:31
Recitativo. Sicche dunque istruitemi - Scene 7: Servo! (Slook, Fanny) [Slook, Fanny, Mill, Edoardo, Norton]
Track length3:25
Duetto. Darei per si bel fondo (Slook, Fanny)
Track length4:00
Terzetto. Quell'amabile visino (Edoardo, Slook, Fanny)
Track length4:17
Recitativo. Non si fara (Norton, Clarina)
Track length0:59
Aria. Anch'io son giovine (Clarina)
Track length2:37
Recitativo. Eccolo appunto: Pare pensieroso (Norton, Slook) - Scene 11: Ipotecato! [Slook, Mill]
Track length2:03
Dite presto, dove sta (Mill, Slook)
Track length5:57
Recitativo. Venite, sono andati - Scene 13: Bravi! (Slook, Fanny, Edoardo) [Clarina, Fanny, Edoardo]
Track length2:28
Aria. Come tacer, come frenare i moti (Fanny)
Track length5:46
Recitativo. Eppur lo cred'anch'io (Slook) - Scene 14: Metti la tutto [Mill]
Track length1:39
Finale. Portero così il cappello (Mill, Slook) - Scene 15: Qual ira, oh ciel, v'accende [Fanny, Mill, Clarina, Slook]
Track length6:06
Vi prego (Edoardo, Mill, Slook, Clarina, Fanny, Norton)
Track length6:46

Awards and reviews

September 2011

It is sprucely, at times wittily conducted by Christopher Franklin, and there is a good cast that includes a decent tenor as the romantic lead and a pair of lively buffo basses

December 2011

The Lithuanian soprano Julija Samsonova ripples through both cavatina and cabaletta with a well-produced voice which is fuller than a soubrette's. Daniele Zanfardino, with no aria, is a tenore leggiero who sings neatly...[Priante and Mastrototaro] do a good job, lively in their patter duet 'Dite presto' and singing without resort to breathiness or vocal mugging...Franklin conducts with a sportive touch.
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