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Beethoven: Gods, Heroes and Men

Orchestre symphonique de Montréal, Kent Nagano

The two orchestral works receive very distinctive performances from Kent Nagano and his Montreal forces. He adopts some period practices, but of course with an orchestra of modern instruments...

Beethoven: Gods, Heroes and Men

Orchestre symphonique de Montréal, Kent Nagano

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The two orchestral works receive very distinctive performances from Kent Nagano and his Montreal forces. He adopts some period practices, but of course with an orchestra of modern instruments...

About

There are countless recordings of Beethoven's Third Symphony ‘Eroica’, which he was originally going to dedicate to the revered Napoleon Bonaparte before the latter turned into a tyrant. What sets this new album apart from all the other recordings is the attractive programme: the American-Japanese conductor Kent Nagano combines the famous ‘Eroica’ with Beethoven's lesser-known ballet music ‘The Creatures of Prometheus’. Nagano is ably supported here by the renowned Montreal Symphony Orchestra, whose music director he has been since 2006.

In the ballet score – written shortly before the Third Symphony – we find the first clear signs of the composer's admiration for Napoleon, the ‘Prometheus of his era’. The finale, for example, is based on a contredanse in E flat, taken from a popular French operetta of the time, and which Beethoven also used in the last movement of the ‘Eroica’.

Contents and tracklist

Act I, Overture
Track length4:39
Act I, Introduction. Allegro non troppo
Track length1:59
Act II, No. 5 Adagio
Track length6:43
Act II, No. 8 Allegro con brio
Track length6:26
Act II, No. 16 Finale. Allegretto
Track length6:12
I. Allegro con brio
Track length16:49
This track is only available as an album download.
II. Marcia funebre. Adagio assai
Track length13:57
This track is only available as an album download.
III. Scherzo. Allegro vivace
Track length5:46
IV. Finale. Allegro molto
Track length11:19
This track is only available as an album download.

Awards and reviews

August 2011

The two orchestral works receive very distinctive performances from Kent Nagano and his Montreal forces. He adopts some period practices, but of course with an orchestra of modern instruments and proportions...All told this is a controversial but stimulating disc.

September 2011

Orchestra and conductor are at their best in the Prometheus ballet music extracts. Nagano's use of the full orchestra might seem a touch weighty for such music, particularly when heard in so sombre an acoustic. But the direction is exacting, the playing determined and spruce.
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