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Sir Adrian Boult conducts Elgar & Brahms

George Thalben-Ball (organ)

BBC Symphony Orchestra, Sir Adrian Boult

These performances would surpass all superlatives under any circumstance, but what makes them especially incredible is that, despite Boult being in his nineties, they sound like the interpretations...

Sir Adrian Boult conducts Elgar & Brahms

George Thalben-Ball (organ)

BBC Symphony Orchestra, Sir Adrian Boult

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These performances would surpass all superlatives under any circumstance, but what makes them especially incredible is that, despite Boult being in his nineties, they sound like the interpretations...

About

Sir Adrian Boult (1889–1983), one of the great British conductors of the 20th century, who studied under the legendary Arthur Nikisch in Berlin which make his Brahms interpretations so special.

This fiery 1976 Prom stereo broadcast of Brahms 1 is the only authorised live account available. He recorded the symphony three times in the studio.

The live stereo broadcast of Elgar’s Enigma Variations was sourced from the Royal Albert Hall Centenary Concert on 29 March 1971 and features the alternative organ part played by George Thalben-Ball, one of the most celebrated organists of his time.

The CD is completed by an extract of an interview Boult gave on the occasion of his 85th birthday where he talks about the art of interpretation.

SAMPLE TRACK Brahms Symphony No.1 – 1st movement

Contents and tracklist

I. Un poco sostenuto - Allegro
Track length15:07
II. Andante sostenuto
Track length8:01
III. Un poco allegretto e grazioso
Track length4:48
IV. Adagio - Più andante - Allegro non troppo ma con brio
Track length16:09
Introduction
Track length1:28
C. A. E. (the Composer's Wife)
Track length1:45
Variation 2: H. D. S-P. (Hew David Steuart-Powell)
Track length0:48
Variation 3: R. B. T. (Richard Baxter Townshend)
Track length1:26
W. M. B. (William Meath Baker)
Track length0:30
Variation 5: R. P. A. (Richard Penrose Arnold)
Track length1:54
Ysobel (Isabel Fitton)
Track length1:08
Troyte (Troyte Griffith)
Track length0:58
W. N. - (Winifred Norbury)
Track length1:50
Nimrod (a. J. Jaeger)
Track length3:53
Variation 10: Intermezzo. Dorabella (Dora Penny)
Track length2:51
Variation 11: G. R. S. (George Robertson Sinclair)
Track length0:57
B. G. N. (Basil G. Nevinson)
Track length2:07
Romanza. (Lady Mary Lygon)
Track length2:33
Finale. E. D. U. (the Composer)
Track length6:08

Awards and reviews

August 2011

These performances would surpass all superlatives under any circumstance, but what makes them especially incredible is that, despite Boult being in his nineties, they sound like the interpretations of a young man...Many recordings have been released since these first appeared, and yet one would be hard-pushed to name any that can truly top them.

15th May 2011

this Brahms 1 is superbly paced: hard-driven yet flexible, virile yet richly expressive. The opening’s 6/8 — relentless, tragic — has, rightly, the same pulse as the ensuing allegro (where Boult, unusually, observes the repeat). In Elgar, Boult could sometimes misjudge tempo, but not here. From the theme onwards (exquisitely judged), his touch is sure and masterly.
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