Seraph may not quite be another Veni, Veni Emmanuel...But it's still very enjoyable, from the Haydn-tinged jollity of the first movement, through a mysterious and lyrical slow movement to the rousing finale...Balsom is a superb advocate, combining technical brilliance with penetrating musicianship - a true poet of the trumpet as well as a formidable athlete.

[Macmillan's concerto] deftly combines trumpet and strings in music that ranges from the incisiveness of its first movement, via the 'seraphic' plaintiveness of its lightly textured Adagio to the robust interplay of the finale. Balsom takes its not inconsiderable demands in her stride, with the Scottish Ensemble unstinting in its support.

'Seraph' is concise and communicative, and, as expected from Macmillan, approachable. Balsom gets its (one hopes) long career off to a strong start...[in the Zimmermann] Balsom is in her element. She advocates for this music with passion and dignity, and the strength of her technique allows her to focus on communicating the work's emotional content...this disc speaks well of her continuing maturation as an artist.

MacMillan clearly understands the varied and subtle colours and emotions that the instrument can express...With unstinting commitment from Balsom, who plays with real passion and belief throughout, this is a memorable performance [of the Zimmermann] and well worth returning to.

the highlight is James MacMillan's "Seraph", with the assertive opening brio giving way to a more reflective Adagio dialogue between trumpet and violin, before emerging refreshed for the animated closing movement.

[Balsom] plays [the Macmillan] radiantly with the Scottish Ensemble. Concertos by Alexander Arutiunian and Bernd Alois Zimmermann, played with the BBC SSO, highlight Balsom’s technical and interpretative aplomb.

what really makes this performer so magnetic and distinctive is the quality of the notes that tumble so effortlessly from whatever trumpet she holds in her hands, and whatever music she plays....[Zimmermann's] stylistically eclectic, passionate plea for racial harmony makes an immediate impact, especially when jazz kicks in and the music excitingly hurtles forward two thirds of the way through.

Balsom’s glorious sound makes you forgive any musical shortcomings [in the Arutunian]...Less pretentious and more musically satisfying than one has any right to expect, [the Zimmermann] is possibly a masterpiece...there’s something calmly uplifting about good brass playing. And this disc, well, uplifts.