Bizet: Carmen
Anne Sofie von Otter (Carmen), Marcus Haddock (Don José), Laurent Naouri (Escamillo), Lisa Milne (Micaëla), Mary Hegarty (Frasquita), Christine Rice (Mercédès), Colin Judson (Remendado), Quentin Hayes (Dancaïre), Hans Voschezang (Moralès), Jonathan Best (Zuniga)
Glyndebourne Festival Opera,...
In the grip of violent emotions, Anne Sofie von Otter paints a complete 'Carmen'
Bizet: Carmen
Anne Sofie von Otter (Carmen), Marcus Haddock (Don José), Laurent Naouri (Escamillo), Lisa Milne (Micaëla), Mary Hegarty (Frasquita), Christine Rice (Mercédès), Colin Judson (Remendado), Quentin Hayes (Dancaïre), Hans Voschezang (Moralès), Jonathan Best (Zuniga)
Glyndebourne Festival Opera,...
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In the grip of violent emotions, Anne Sofie von Otter paints a complete 'Carmen'
About
Specials:
•Costume design
•How to fight on stage
•Illustrated synopsis
•The cast and their characters
•Choreographing Carmen
•The Gardens of Glyndebourne
•Full colour 32 page booklet in English, French and German with new short story by novelist Jeanette Winterson
PICTURE FORMAT: 16:9
LENGTH: 230 MINS
SOUND: DOLBY SURROUND / LPCM STEREO
SUBTITLES: EN/FR/DE/ES
Artists
Anne Sofie von Otter (Carmen), Marcus Haddock (Don José), Laurent Naouri (Escamillo), Lisa Milne (Micaëla), Mary Hegarty (Frasquita), Christine Rice (Mercédès), Colin Judson (Remendado), Quentin Hayes (Dancaïre), Hans Voschezang (Moralès), Jonathan Best (Zuniga)
Glyndebourne Festival Opera, Philippe Jordan
Contents and tracklist
- Anne Sofie von Otter (Carmen), Marcus Haddock (Don José), Laurent Naouri (Escamillo), Lisa Milne (Micaëla), Mary Hegarty (Frasquita), Christine Rice (Mercédès), Colin Judson (Remendado), Quentin Hayes (Dancaïre), Hans Voschezang (Moralès), Jonathan Best (Zuniga)
- Glyndebourne
- Philippe Jordan
Awards and reviews
In the grip of violent emotions, Anne Sofie von Otter paints a complete 'Carmen'
Violent, passionate,superbly played…Glyndebourne's Carmen is simply gripping
Under the shrewd direction of McVicar, Anne Sofie von Otter gave us a gypsy of mercurial temperament, a tease, a dangerous flirt, and a woman intensely conscious of her sexual magnetism and of her public notoriety
New York Times
A fantastic two-disc set...a performance that truly is what opera theoretically aspires to be: sung drama
