Special offer. Schumann: Sonatas
Daniel Sepec (violin), Andreas Staier (piano Erard)
Sepec and Staier give a fine performance, and the translucent tone of the 1837 piano by Pierre Erard...is even better suited to the Gesänge der Frühe...There's much to enjoy in the violin sonatas,...
Special offer. Schumann: Sonatas
Daniel Sepec (violin), Andreas Staier (piano Erard)
Purchase product
Sepec and Staier give a fine performance, and the translucent tone of the 1837 piano by Pierre Erard...is even better suited to the Gesänge der Frühe...There's much to enjoy in the violin sonatas,...
About
After his earlier Hommage à Bach album, played on the same 1837 Érard piano he uses here, Andreas Staier is joined by Daniel Sepec in a programme of considerably later works by Schumann. However, these two violin sonatas and the Gesänge der Frühe of 1853 show no retreat from the composer's ideal: here too, ‘the poet speaks' . . .
Contents and tracklist
Awards and reviews
September 2010
Sepec and Staier give a fine performance, and the translucent tone of the 1837 piano by Pierre Erard...is even better suited to the Gesänge der Frühe...There's much to enjoy in the violin sonatas, too
The Independent on Sunday 8th August 2010
Though Daniel Sepec's tone tends to astringency, his bowing is beautifully fluid, especially in the Second Grand Sonata. As accompanist and soloist, Staier is spellbinding. In works that seem about to topple over with ideas, fantasy is rooted in the most assured craftsmanship.
