Browse: Schumann - Violin Sonata No. 2 in D minor, Op. 121
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There's no doubting the rewarding partnership of Christian Tetzlaff and Lars Vogt in this admirable account. Their partnership is equal throughout...There is exemplary tenderness, tempered at... — More…
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Gramophone Magazine, January 2014, Disc of the Month
CD
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Schumann - Piano Works & Chamber Music III
Eric Le Sage (piano), François Leleux (oboe), Bruno Schneider (horn), Paul Meyer (clarinet), Antoine Tamestit (viola), Jean Guihen Queyras (cello) & Gordan Nikolic (violin)
All in all, an ideal introduction to the world of late Schumann — More…
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BBC Music Magazine, May 2008, Chamber Choice
2 CDs
$26.50Downloads
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New arrangements result in gorgeously warm and intimate music making … performed with great ardour and exemplary clarity of texture. — More…
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…what the Bartók in particular offers over and above their fine previous version is a sense of music-making caught on the wing. …the playing here is spectacularly vivid and assured. …above... — More…
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Gramophone Magazine, June 2009, Disc of the Month
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…riveting performances from Carolin Widmann and Dénes Várjon. In their skilled hands the nervous pulsating of the First Sonata's opening phrases is resolved in a magical glow of C major… that... — More…
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Gramophone Awards, 2009, Finalist - Chamber
CD
$15.50Downloads
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The Menuhins, Vols. 1-4 (1934-1951)
Yehudi Menuhin (violin), Hephzibah Menuhin (piano), Maurice Eisenburg (cello), Louis Kentner (piano)
4 CDs
$16.75 -
Awards:
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Record Review, December 2010, Critics' Disc of the Year
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It is the fascinating final movement [of the Grieg] which is most enjoyable; a magical, turbulent, folk-inspired journey which the duo tackles with passion and energy. — More…
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[Inui's] opening is elegant, controlled and softer of attack. Notable from the off is a sense of real partnership with pianist Vassilis Varvaresos. — More…
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Schumann: The Violin Sonatas
recorded on period instruments
Eriikka Maalismaa (violin), Emil Holmström (piano)
This new Finnish recording on a gut-string Bellosio/Gagliano from c1770 and an Érard from 1862 would be welcome even if the playing and interpretation were not of such a high standard… Intonation... — More…
CD
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