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Beethoven - Complete Works for Solo Piano Volume 8

Ronald Brautigam (fortepiano)

Beethoven - Complete Works for Solo Piano Volume 8

Awards:

There are few early-instrument practitioners who can match Brautigam's music insight and technical prowess...there are no holds barred in his impressively passionate account of Op. 111's opening...

Beethoven - Complete Works for Solo Piano Volume 8

Ronald Brautigam (fortepiano)

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Stream now Hi-RES 44.1 kHz, 24 bit

Awards:

There are few early-instrument practitioners who can match Brautigam's music insight and technical prowess...there are no holds barred in his impressively passionate account of Op. 111's opening...

About

With this disc, Ronald Brautigam has reached the last of the 32, completing a sonata cycle which has made a great impression on all who have been following it. A review in The Times stated: ‘Beethoven the revolutionary comes closer than ever in Brautigam's fiery interpretations.'

Brautigam has chosen to record these seminal works on fortepiano, and throughout the series uses two different instruments mirroring the rapid development of the piano during the three decades that saw the birth of these sonatas.

Contents and tracklist

I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo
Track length3:36
II. Lebhaft. Marschmäßig. Vivace alla marcia
Track length5:32
III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto
Track length2:39
IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit. Allegro
Track length7:01
I. Vivace ma non troppo
Track length3:13
II. Prestissimo
Track length2:14
III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
Track length11:04
I. Moderato cantabile molto espressivo
Track length5:49
II. Scherzo. Allegro molto
Track length2:09
III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo
Track length10:22
I. Maestoso - Allegro con brio ed appassionato
Track length8:20
II. Arietta. Adagio molto semplice e cantabile
Track length15:05

Spotlight on this release

Awards and reviews

September 2010

There are few early-instrument practitioners who can match Brautigam's music insight and technical prowess...there are no holds barred in his impressively passionate account of Op. 111's opening Allegro

October 2010

The clarity that Brautigam achieves serves to offset the briskness of the tempos and the gain lies in the clear structural cohesion, with momentum clearly directed...This lack of indulgence is a hallmark of Brautigam's Beethoven...and [he] always mantains direction...This survey provides some of the finest Beethoven playing I have ever heard.

28th June 2010

In Brautigam’s hands the music sounds lyrical and perfectly phrased without in any way sounding mannered. Because the fortepiano doesn’t have the same sustaining power as a modern piano Brautigam’s tempos for the slower movements are often slightly faster than you might be used to. But they never sound rushed, and always feel natural, while giving him the opportunity for a little ebb and flow without danger of losing the musical line.
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