Mendelssohn - Songs & Duets Volume 5
Eugene Asti (piano), Katherine Broderick (soprano), Hannah Morrison (soprano), Anna Grevelius (mezzo-soprano), Finnur Bjarnason (tenor), James Rutherford (baritone), Stephan Loges (baritone)
...the best of the young singers here is the mezzo Anna Grevelius...As in previous volumes, Eugene Asti plays with a refreshingly light touch and a lively sense of rhythm.
Mendelssohn - Songs & Duets Volume 5
Eugene Asti (piano), Katherine Broderick (soprano), Hannah Morrison (soprano), Anna Grevelius (mezzo-soprano), Finnur Bjarnason (tenor), James Rutherford (baritone), Stephan Loges (baritone)
Purchase product
...the best of the young singers here is the mezzo Anna Grevelius...As in previous volumes, Eugene Asti plays with a refreshingly light touch and a lively sense of rhythm.
About
Eugene Asti’s pioneering Mendelsson Songs and Duets series, containing a large amount of first recordings and rarities, concludes with this fifth volume, a generous two CDs for the price of one. The contents range from Mendelssohn’s first extant composition of any kind – a birthday song presented to his father by the precocious ten-year-old composer – to settings of the German romantic poets Schiller, Goethe and Eichendorff,which place Mendelssohn firmly in the canon of the great Lieder composers.
These works are performed by a talented group of young singers who will be familiar from other discs in the series, including the winner of the 2008 Kathleen Ferrier prize, Katherine Broderick.
Contents and tracklist
- Hannah Morrison (soprano), Eugene Asti (piano)
- Finnur Bjarnason (tenor), Eugene Asti (piano)
- Finnur Bjarnason (tenor), Eugene Asti (piano)
- Hannah Morrison (soprano), Eugene Asti (piano)
- James Rutherford (baritone), Eugene Asti (piano), Hannah Morrison (soprano)
- Finnur Bjarnason (tenor), Eugene Asti (piano)
Awards and reviews
September 2010
...the best of the young singers here is the mezzo Anna Grevelius...As in previous volumes, Eugene Asti plays with a refreshingly light touch and a lively sense of rhythm.
July/August 2010
It is perhaps invidious to single out any one or two [singers], but Grevelius and Bjarnason are magnificent, and Rutherford and Loges are not far behind. Of course, the real hero is at the piano: Asti, at the end now of a remarkable musical journey. This is indeed a labour of love, and one that we can all applaud - and share.
