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Haydn - Arianna a Naxos, Lieder & Canzonettas

Stephanie d'Oustrac (mezzo-soprano) & Aline Zylberajch (fortepiano)

Haydn - Arianna a Naxos, Lieder & Canzonettas

Awards:

She combines a warm, flavoursome mezzo with a fiery dramatic temperament...to each of these songs, even the most guileless, she brings an intense personal involvement...Throughout [Arianna a...

Haydn - Arianna a Naxos, Lieder & Canzonettas

Stephanie d'Oustrac (mezzo-soprano) & Aline Zylberajch (fortepiano)

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

She combines a warm, flavoursome mezzo with a fiery dramatic temperament...to each of these songs, even the most guileless, she brings an intense personal involvement...Throughout [Arianna a...

About

“This disc was originally the idea of the Ambronay team: our strong respective temperaments, our affinities for Baroque music were among the many arguments they put forward with infectious enthusiasm to encourage Aline Zylberajch and myself to embark on a duo recording project for Ambronay Éditions. We then met to read through some of the pieces. Little by little, a guiding thread evoking Schumann’s famous song cycle Frauenliebe und leben (A woman’s love and life) prompted us to choose from among Haydn’s finest works a programme of lieder and canzonettas illustrating the universal theme of the cycle of love: from the girl dreaming of love to her first experience of it, from the beloved woman to her abandoned sister… Haydn’s musical style, the psychological evolution of the protagonists of his songs, and the palette of colours, emotions, and expressions this stimulates, brought us rich emotions and joys during our work on the recording. For my part, I also had the good fortune to discover a delightful personality behind a remarkable musician in the person of Aline. In conclusion, ‘Das Leben ist ein Traum’ thanks to music!” Stéphanie d’Oustrac

Contents and tracklist

Awards and reviews

  • Gramophone Magazine
    July 2010
    Editor's Choice

July 2010

She combines a warm, flavoursome mezzo with a fiery dramatic temperament...to each of these songs, even the most guileless, she brings an intense personal involvement...Throughout [Arianna a Naxos] she is vividly responsive to the meaning of the Italian text and to harmonic colour.
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