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Emil Gilels: Early Recordings Volume 2

All tracks recorded in the USSR, 1937-1954

Emil Gilels (piano)

Emil Gilels: Early Recordings Volume 2
healthy doses of both tumultuousness and poignant delicacy

BBC Music Magazine, September 20104 out of 5 stars

More reviews

Emil Gilels: Early Recordings Volume 2

All tracks recorded in the USSR, 1937-1954

Emil Gilels (piano)

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healthy doses of both tumultuousness and poignant delicacy

BBC Music Magazine, September 20104 out of 5 stars

More reviews

About

Producer: Jonathan Summers Audio Restoration Engineer: Ward Marston

Contents and tracklist

Tchaikovsky: Souvenir de Hapsal, Op. 2
Work length2:48
No. 3, Chant sans paroles
Track length2:48
Excerpt,Rachmaninoff: Preludes Op. 23 Nos. 1-10
Work length3:07
No. 5 in G Minor: Alla marcia
Track length3:07
Excerpt,Rachmaninoff: Songs (6), Op. 38
Work length2:24
6 Songs, Op. 38: No. 3, Daisies (Version for piano)
Track length2:24
Excerpt,Rachmaninoff: Etudes-Tableaux, Op. 39
Work length2:46
Etudes-tableaux, Op. 39: No. 1 in C Minor
Track length2:46
Medtner: Piano Sonata in G minor, Op. 22
Work length16:31
I. Tenebroso, sempre affrettando - Allegro assai
Track length7:07
II. Interludium: Andante lugubre
Track length3:52
III. Allegro assai
Track length5:32
Glazunov: Piano Sonata No. 2 in E minor, Op. 75
Work length23:33
I. Moderato
Track length8:54
II. Scherzo. Allegretto
Track length6:05
III. Finale. Allegro moderato
Track length8:34
Prokofiev: Piano Sonata No. 2 in D minor, Op. 14
Work length17:15
I. Allegro, ma non troppo - Più mosso - Tempo primo
Track length6:09
II. Scherzo. Allegro marcato
Track length1:49
III. Andante
Track length4:57
IV. Vivace - Moderato - Vivace
Track length4:20
Prokofiev: Two Pieces from The Love of Three Oranges, Op. 33b
Work length1:29
March
Track length1:29

Awards and reviews

September 2010

healthy doses of both tumultuousness and poignant delicacy
4 out of 5 stars

October 2010

In large-scale sonatas by Glazunov, Medtner and Prokofiev, his playing glows with conviction and includes passagework spun off with an all-Russian legato. Then, his outwardly formidable and unsmiling demeanour on the concert platform is erased in a performance of Tchaikovsky's "Chant sans paroles" of a beguiling charm
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