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Buxtehude - Complete Organ Works Volume 2

Christopher Herrick (organ of Nidaros Cathedral, Trondheim, Norway)

As in Vol. 1, Herrick's flair for apposite registration illuminate at every turn, and the first three notes of the opening G minor Praeludium serve notice that his phrasing will be nothing if...

Buxtehude - Complete Organ Works Volume 2

Christopher Herrick (organ of Nidaros Cathedral, Trondheim, Norway)

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As in Vol. 1, Herrick's flair for apposite registration illuminate at every turn, and the first three notes of the opening G minor Praeludium serve notice that his phrasing will be nothing if...

About

Christopher Herrick’s acclaimed series of Buxtehude’s complete organ works continues with a selection of his praeludia, toccatas, ostinato works, and canzonas, interspersed with chorale preludes and variations. For this disc he turns to the magnificent organ of Trondheim Cathedral in Norway, originally built by Joachim Wagner (1690–1749) and restored to its former baroque glory in 1994.

Highlights from this disc include the brilliant, flamboyant Praeludium in G minor, BuxWV149. Here, as so often in Buxtehude’s organ works, one can picture an organist seated at a console completely free of music and giving his imagination full rein. Also, the Chorale Fantasia on Te Deum, BuxWV218, the only plainsong-based work on this CD and one of Buxtehude’s longest and grandest works for organ.

Contents and tracklist

I. Preludium
Track length2:04
II. Te Deum laudamus
Track length3:02
III. Pleni sunt caeli et terra
Track length4:43
IV. Te Martyrum
Track length1:15
V. Tu devicto mortis aculeo
Track length3:02
Verse 1. [untitled]
Track length1:40
Verse 2. [untitled]
Track length1:20
Verse 3. [untitled]
Track length2:11
Verse 4. [untitled]
Track length1:32
Verse 1. [untitled]
Track length1:48
Verse 2. [untitled]
Track length1:55
Verse 3. [untitled]
Track length2:09

Awards and reviews

February 2010

As in Vol. 1, Herrick's flair for apposite registration illuminate at every turn, and the first three notes of the opening G minor Praeludium serve notice that his phrasing will be nothing if not fastidious. …he lets the music (and instrument) speak eloquently for themselves - charmingly fluty in the C major Canzona, unexpectedly perky at the start of the E minor Ciaccona and sonorously splendiferous for the final Praeludium in C.

February 2010

…Herrick brings a convincing sense of fluidity and a quasi-extemporaneous flair to the music… The recorded sound is ideal with traffic rumble minimised. Another triumph!

17th January 2010

The ambitious Te Deum and the grand Praeludium in C major confirm Buxtehude's inspiring originality. No wonder the young Bach once walked 200 miles to hear him play.
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