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Special offer. Handel - Operatic Arias

Lorenzo Regazzo (bass)

Concerto Italiano, Rinaldo Alessandrini

Handel - Operatic Arias
Regazzo has a well-focused voice with a warm timbre that is at one communicative and, where required, capable of declamatory strength. …in arias like 'La bellezza è com' un fiore' Regazzo demonstrates...

Special offer. Handel - Operatic Arias

Lorenzo Regazzo (bass)

Concerto Italiano, Rinaldo Alessandrini

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($13.00) Reduced price $9.00

320 kbps, MP3

Original price ($10.00) Reduced price $7.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Regazzo has a well-focused voice with a warm timbre that is at one communicative and, where required, capable of declamatory strength. …in arias like 'La bellezza è com' un fiore' Regazzo demonstrates...

About

World-renowned bass, Lorenzo Regazzo, one of the finest singers of his generation, performs a recital of Handel operatic arias accompanied by Concerto Italiano under the direction of Rinaldo Alessandrini.

Two musical titans in the classical world, award-winning Italian bass Lorenzo Regazzo and Italian conductor Rinaldo Alessandrini, both major Naïve artists, are brought together once again to record the greatest operatic arias by George Frederic Handel. Handel, one of the most celebrated operatic composers of the eighteenth century, always remained out of step with the preferences of his era – notably his attachment to the ‘natural’ male voice in a time when the high voices of women or castratos triumphed everywhere. The programme on this release, covering thirty years of Handelian repertory, beautifully illustrates the way Handel wrote for the bass voice, and demonstrates how he required singers in this register to perform feats immeasurably more challenging than those called for by other continental composers of the period. Lorenzo Regazzo also presents in this programme a mini artist portrait of the bass Giuseppe Maria Boschi, creator of the role of Pallante in Agrippina, and who was to take part in some fifteen London premieres, from Rinaldo (1711) to Tolomeo (1728).

Contents and tracklist

Overture
Track length4:43
Recitative: No, io per sua pena
Track length0:20
Aria: Se il mio paterno amore
Track length3:49
Recitative: Ove son? Che m'avvenne
Track length0:46
Aria: Gelido in ogni vena
Track length4:39
Accompagnato: Impari ognun da Orlando
Track length1:17
Aria: Sorge infausta una procella
Track length4:16
Pur ritorno a rimirarvi
Track length4:56
Recitative: Ma, o ciel, mesta e confusa
Track length4:08
Vieni, o cara
Track length1:16
Recitative: Me infelice
Track length0:59
Del mio caro Bacco amabile
Track length1:11
Overture - Musette - Minuet
Track length5:28
Aria: Pensa a chi geme
Track length4:58
Tamerlano, HWV 18: Aria: Amor da guerra a pace
Track length4:07
Recitative: Dalla guerra amorosa
Track length0:29
Aria: Non v'alletti un occhio nero
Track length3:25
Recitative: Fuggite, si fuggite!
Track length0:42
Aria: La bellezza e com'un fiore
Track length2:25
Finale: Fugette … a chi servo d'amor
Track length1:04
Recitativo: Placati al fin, o cara
Track length0:21
Aria: Come rosa in su la spina
Track length2:33

Awards and reviews

October 2009

Regazzo has a well-focused voice with a warm timbre that is at one communicative and, where required, capable of declamatory strength. …in arias like 'La bellezza è com' un fiore' Regazzo demonstrates a fine lyrical technique, bringing together virtuosity and expressive subtlety in Apollo's splendid simile aria 'Come rosa in su la spina' from the cantata Apollo e Dafne.
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