Special offer. Haydn: The Creation
(sung in German)
Sally Matthews, Ian Bostridge & Dietrich Henschel
London Symphony Chorus & London Symphony Orchestra, Sir Colin Davis
…Colin Davis's… response to the actual sound of the piece is beautifully managed throughout, with Haydn's sense of wonder coming vividly alive. The LSO is on unimpeachable form, with many thrilling...
Special offer. Haydn: The Creation
(sung in German)
Sally Matthews, Ian Bostridge & Dietrich Henschel
London Symphony Chorus & London Symphony Orchestra, Sir Colin Davis
Purchase product
…Colin Davis's… response to the actual sound of the piece is beautifully managed throughout, with Haydn's sense of wonder coming vividly alive. The LSO is on unimpeachable form, with many thrilling...
About
DSD recording, live at the Barbican October 2007 Stereo and multi-channel (5.1).
Sung in German. Text in German with English translation.
Many of Sir Colin Davis's recent releases on LSO Live have featured his favourite choral works, including Tippett's A Child of Our Time, Beethoven's Mass in C, Mozart's Requiem and Handel's Messiah. The latest release in the series features Haydn's masterpiece The Creation, a work with which Sir Colin has a long association yet has never previously recorded. Sir Colin is joined by a sensational set of singers for his recording. Soprano Sally Matthews has sung on several of Sir Colin's previous LSO Live recordings and she is accompanied by Ian Bostridge and Dietrich Henschel. Having been inspired by Handel's oratorios whilst in London, Haydn set Die Schöpfung to a text originally intended for his predecessor.With bright orchestration and vivid imagery, Haydn's account of the world's creation confirmed that he too had mastered the art of musical dramatics and composed a work that is celebrated as one of the masterpieces of the classical era. Sir Colin's forthcoming LSO Live releases include Verdi's Requiem and Walton's Belshazzar's Feast.
CONCERT REVIEW:
"the work emerged in all its awesome glory" New York Times
Contents and tracklist
Spotlight on this release
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
Sir Colin Davis talks about Haydn's oratorio The Creation, which he conducted with the LSO and LSC at the Barbican in 2007.
Awards and reviews
August 2009
…Colin Davis's… response to the actual sound of the piece is beautifully managed throughout, with Haydn's sense of wonder coming vividly alive. The LSO is on unimpeachable form, with many thrilling individual touches, and overall there's as much colour and drama in their playing as in any of the modern instrument versions. Of the soloists, the finest is Dietrich Henschel, whose measured and humane performance is certainly advantaged by the text being sung in German on this occasion...
From first to last this recording has a definitive quality about it...[Davis's] whole approach is filled with life and energy: this reading is about the youthful sparks of earthly creation...That spirit, albeit refined and given focus by Davis's consummate artistry, pervades just about every bar and inspires all involved
September 2009
…Davis… combines an intense feeling for colour and atmosphere with a marvellous breadth and inevitability of phrase. …the choir sings with sensitivity and full-throated enthusiasm; and Davis ensures that each of the choruses that close the three parts builds thrillingly to an incandescent climax. ...Dietrich Henschel is a fiery and imaginative Raphael and an ardent Adam... Sally Matthews, with a darker, creamier voice than most sopranos in this work, makes a sensuous Eve... I shall certainly return to this new recording: for much of the solo work, for the glorious playing of the LSO and, above all, for Davis's wise, joyous direction.
21st June 2009
What is offered here is an unapologetically opulent-sounding large-scale performance.
1st July 2009
What comes over particularly well here are the features that startled and delighted contemporaries – the harmonically daring representation of Chaos at the beginning and the vivid depiction of lions, stags, birds and crawling worms in Part 2. Sally Matthews and Ian Bostridge are compelling soloists.
Audiophile Audition
I cannot think of a better version done with traditional forces in many, many years...The singing is superb, the soloists all the more so...This is one of the best releases to date, with lovely surround sounds adding much to the presentation...This is a truly a wonderful achievement.
