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Bach, J S: Mass in B minor, BWV232

Gerlinde Sämann, Elisabeth Hermans, Patrizia Hardt, Petra Noskaiová, Bernhard Hunziker, Christoph Genz, Marcus Niedermeyr & Jan Van der Crabben

La Petite Bande, Sigiswald Kuijken (director)

La Petite Bande is true to its name in this one-to-a-part approach, yet the real motivation for the chamber scoring is one premised on the director's close identification with intimate rhetorical...

Bach, J S: Mass in B minor, BWV232

Gerlinde Sämann, Elisabeth Hermans, Patrizia Hardt, Petra Noskaiová, Bernhard Hunziker, Christoph Genz, Marcus Niedermeyr & Jan Van der Crabben

La Petite Bande, Sigiswald Kuijken (director)

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No digital booklet included

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La Petite Bande is true to its name in this one-to-a-part approach, yet the real motivation for the chamber scoring is one premised on the director's close identification with intimate rhetorical...

About

In 1733 J S Bach began work on the composition of a Missa, a portion of the liturgy sung in Latin and common to both the Lutheran and Roman Catholic rites, and it was first performed that same yaer during the festival of the Oath of Allegiance to Augustus III. It consisted of settings of the Kyrie and Gloria that now comprise the first part of the Mass in B Minor. The Credo was probably written between 1742 and 1745, but may have predated the Missa. The remaining parts (Sanctus, Osanna, Benedictus and Agnus Dei et Dona nobis pacem) were all added in the late 1740s. The Mass in B Minor did not assume its final form until Bach's last years. It may be that Bach wished it to be regarded as a monument to his skill, for it is a work based much upon his earlier music, adapted and refined to meet a sacred purpose.

The highly rated early music group La Petite Bande was founded in Belgium in 1972 by Sigiswald Kuijken at the request of the record company Deutsche Harmonia Mundi in order to record Lully's "Le Bourgeois Gentilhomme" with the conductor Gustav Leonhardt. Having initially concentrated mainly on French music, the orchestra's repertoire has expanded over the years to include music by the Italian masters and that of Bach, Händel, Gluck, Haydn and Mozart. This present recording of The Bach B Minor Mass uses a version where the text is sung by single voices, and a small scale choir. The recording is being made available as a double SACD hybrid set.

Contents and tracklist

Ia. Kyrie, Kyrie eleison
Track length9:07
Ib. Kyrie, Christe eleison
Track length4:55
Ic. Kyrie, Kyrie eleison
Track length3:36
IIa. Gloria, Gloria in excelsis
Track length1:39
IIb. Gloria, Et in terra pax
Track length3:34
IIc. Gloria, Laudamus te
Track length4:23
IId. Gloria, Gratias agimus tibi
Track length2:09
IIe. Gloria, Domine Deus
Track length5:26
IIf. Gloria, Qui tollis peccata mundi
Track length2:53
IIg. Gloria, Qui sedes ad dexteram Patris
Track length4:31
IIh. Gloria, Quoniam tu solus sanctus
Track length4:09
IIi. Gloria, Cum Sancto Spiritu
Track length4:05
IIIa. Symbolum Nicenum, Credo in unum Deum
Track length2:06
IIIb. Symbolum Nicenum, Patrem omnipotentem
Track length1:55
IIIc. Symbolum Nicenum, Et in unum Dominum
Track length5:01
IIId. Symbolum Nicenum, Et incarnatus est
Track length2:53
IIIe. Symbolum Nicenum, Crucifixus
Track length3:00
IIIf. Symbolum Nicenum, Et resurrexit
Track length4:09
IIIg. Symbolum Nicenum, Et in Spiritum Sanctum Dominum
Track length5:36
IIIh. Symbolum Nicenum, Confiteor
Track length3:43
IIIi. Symbolum Nicenum, Et expecto
Track length2:15
IVa. Sanctus, Osanna, Benedictus, Agnus Dei, Sanctus
Track length4:24
IVb. Sanctus, Osanna, Benedictus, Agnus Dei, Osanna in excelsis
Track length2:51
IVc. Sanctus, Osanna, Benedictus, Agnus Dei, Benedictus
Track length3:58
IVd. Sanctus, Osanna, Benedictus, Agnus Dei, Osanna in excelsis
Track length2:49
IVe. Sanctus, Osanna, Benedictus, Agnus Dei, Agnus Dei
Track length4:25
IVf. Sanctus, Osanna, Benedictus, Agnus Dei, Dona nobis pacem
Track length2:13

Awards and reviews

August 2009

La Petite Bande is true to its name in this one-to-a-part approach, yet the real motivation for the chamber scoring is one premised on the director's close identification with intimate rhetorical delivery, clarity of design and a king of integrity in the gritty obbligato playing, whose solo vocal companions impress more on the grounds of sympathetic understanding than allure. The choruses are more genially crafted... and the refinement and elegance of the second "Kyrie" and "Qui tollis" are joys to behold...
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