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Gesualdo - Madrigals in 5-parts

Les Arts Florissants, William Christie

Gesualdo - Madrigals in 5-parts
Gesualdo's unnerving music produces some tuning problems and Christie's insertion of instruments is odd. But his telling interpretations make this a welcome, compelling reissue.

Gesualdo - Madrigals in 5-parts

Les Arts Florissants, William Christie

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Gesualdo's unnerving music produces some tuning problems and Christie's insertion of instruments is odd. But his telling interpretations make this a welcome, compelling reissue.

About

Love, desire and death – these are the three themes that pervade the musical poetry of Don Carlo Gesualdo, Prince of Venosa, which has become a byword for tortured emotion. These madrigals are the clearest depiction in his output of the torments of the soul, offering a faithful musical image of the ‘sweet poison’ which eats into lovers’ hearts . . .

Contents and tracklist

II. Ahi, disperata vita
Track length1:25
VII. Sospirava il mio core (prima parte)
Track length1:36
VII. O malnati messaggi (seconda parte)
Track length2:06
IX. Non t'amo, o voce ingrata
Track length3:20
Canzon francese del principe
Track length6:01
I. Luci serene e chiare
Track length3:19
XIII. Sparge la morte al mio Signor
Track length4:14
XVIII. Arde il mio cor
Track length2:11
III. Io tacerò - Invan dunque (seconda parte)
Track length4:20
IX. Occhi del mio cor vita
Track length3:23
XI. Mercè grido piangendo
Track length4:13
XIV. Asciugate i begli occhi
Track length3:10
XIII. Correte, amanti
Track length2:55
I. Se la mia morte brami
Track length3:02
VI. Io parto e non più dissi
Track length2:55
XIII. Ardita zanzaretta
Track length3:10
XIV. Ardo per te, mio bene
Track length3:01

Awards and reviews

June 2009

Gesualdo's unnerving music produces some tuning problems and Christie's insertion of instruments is odd. But his telling interpretations make this a welcome, compelling reissue.

September 2009

…Les Arts Florissants recorded this more than 20 years ago and… its hardly aged at all. This includes excerpts from Books 3 and 6, interspersed with strikingly detailed performances on the harp from Andrew Lawrence-King. In their rhythmic freedom they seem to prefigure what Italian ensembles would achieve a few years later, but the cast is a very fine one, and the choice of pieces superb.
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