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Markevitch - Complete Orchestral Works Volume 1

Martijn van den Hoek (piano), Lucy Shelton (soprano), Sarah Walker (mezzo-soprano) & Jon Garrison (tenor)

Arnhem Philharmonic Orchestra, Netherlands Concert Choir, Christopher Lyndon-Gee

The recording (from live performances) cannot wholly cope with the extreme complexity of some of Markevitch's textures, especially at the climaxes, and the soloists are rather distantly balanced,...

Markevitch - Complete Orchestral Works Volume 1

Martijn van den Hoek (piano), Lucy Shelton (soprano), Sarah Walker (mezzo-soprano) & Jon Garrison (tenor)

Arnhem Philharmonic Orchestra, Netherlands Concert Choir, Christopher Lyndon-Gee

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This release includes a digital booklet

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The recording (from live performances) cannot wholly cope with the extreme complexity of some of Markevitch's textures, especially at the climaxes, and the soloists are rather distantly balanced,...

About

This first volume of the Naxos Igor Markevitch Complete Orchestral Works Edition, to be followed by the seven volumes previously released on Marco Polo, brings together two relatively early compositions of astonishing technical and æsthetic assurance.

The Partita is in effect already his second Piano Concerto, written when the composer was twenty. The granitic oratorio Paradise Lost, whose première the composer himself conducted at the BBC in London barely three years later, is among the most important of the composer’s works, bearing comparison with Stravinsky’s contemporaneous OEdipus Rex and Perséphone, yet of striking individuality of vision.

Contents and tracklist

I. Ouverture
Track length4:12
II. Choral
Track length8:30
III. Rondo
Track length5:23
Pt. I
Track length34:45
This track is only available as an album download.
Pt. II
Track length22:37
This track is only available as an album download.

Awards and reviews

February 2009

The recording (from live performances) cannot wholly cope with the extreme complexity of some of Markevitch's textures, especially at the climaxes, and the soloists are rather distantly balanced, but it's a very valuable document. Christopher Lyndon-Gee conducts with a real feeling for the idiom, and supplies very full booklet notes. The Partita for piano and orchestra of 1931 has a fierce neo-classical austerity and sure-footed assurance; Martijn van den Hoek is an agile, intelligent soloist...
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