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César Franck: Messe a troi voix

Mariann Bódi (soprano), Attila Wendler (tenor), István Rácz (bass), Dezsõ Karasszon (organ)

Debrecen Kodály Choir, Salamon Kamp

Awards:

With such a long and distinguished career as a church musician, it was not surprising that Franck should write a setting of the Mass. His three-part composition seems to prefigure the imposing...

César Franck: Messe a troi voix

Mariann Bódi (soprano), Attila Wendler (tenor), István Rácz (bass), Dezsõ Karasszon (organ)

Debrecen Kodály Choir, Salamon Kamp

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Awards:

With such a long and distinguished career as a church musician, it was not surprising that Franck should write a setting of the Mass. His three-part composition seems to prefigure the imposing...

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Contents and tracklist

Kyrie
Track length6:49
Gloria
Track length13:15
Credo
Track length19:13
Sanctus - Benedictus
Track length3:59
Panis angelicus
Track length5:01
Agnus Dei
Track length6:50
No. 1, Quae est ista
Track length7:15
No. 3, Dextera Domini
Track length8:39

Spotlight on this release

Awards and reviews

  • Presto Favourites
    Recommended Recording

13th March 2015

With such a long and distinguished career as a church musician, it was not surprising that Franck should write a setting of the Mass. His three-part composition seems to prefigure the imposing works of Widor and Vierne, but on a smaller scale. The well-loved Panis angelicus was incorporated into the Mass by Franck as a Communion motet. The Debrecen Kodály Choir under Salamon Kamp make a convincing case for this largely-neglected Mass setting.
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