Bach, J S: The Well-Tempered Clavier, Book 2
Pascal Vigneron (organ), Dimitri Vassilakis (piano), Christine Auger (harpsichord)
Shared between three instruments, this enterprising French venture casts interesting new light. Not all is gains. If the C major prelude asks for the organ, and its sonority, thunderous or gently...
Bach, J S: The Well-Tempered Clavier, Book 2
Pascal Vigneron (organ), Dimitri Vassilakis (piano), Christine Auger (harpsichord)
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Shared between three instruments, this enterprising French venture casts interesting new light. Not all is gains. If the C major prelude asks for the organ, and its sonority, thunderous or gently...
About
Contents and tracklist
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in C Major, BWV 870
Work length4:43
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in C Minor, BWV 871
Work length4:07
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in C-Sharp Major, BWV 872
Work length3:16
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in C-Sharp Minor, BWV 873
Work length7:14
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in D Major, BWV 874
Work length7:36
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in D Minor, BWV 875
Work length4:21
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in E-Flat Major, BWV 876
Work length5:20
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in D-Sharp Minor, BWV 877
Work length7:08
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in E Major, BWV 878
Work length8:49
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in E Minor, BWV 879
Work length5:49
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in F Major, BWV 880
Work length5:45
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in F Minor, BWV 881
Work length4:45
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in F-Sharp Major, BWV 882
Work length7:14
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in F-Sharp Minor, BWV 883, 2: Preludium
Work length2:25
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Bach, J S:
Das Wohltemperirte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitonia in F-Sharp Minor, BWV 883: Fuga
Work length3:26
- Pascal Vigneron (soloist), Dimitri Vassilakis (soloist), Christine Auger (soloist)
Awards and reviews
3rd August 2008
Shared between three instruments, this enterprising French venture casts interesting new light. Not all is gains. If the C major prelude asks for the organ, and its sonority, thunderous or gently fluting, suits the G minor and E major preludes and fugues, in the E flat major and F major preludes its sustained notes confuse the texture.
The harpsichord, fine in rapid music, can sound laboured, and it is wasted on the rich chromatic harmonies of the G sharp minor. The piano, after all, comes out best, splendid in the F sharp minor and A flat major. Now, please, a clavichord recording.
