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Some found Peter Hall's staging… too dark and serious, but for me it was an invigorating evening. …Vladimir Jurowski… draws highly polished and brilliant playing from the LPO of one of Rossini's... — BBC Music Magazine, May 2006, 5 out of 5 stars
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Gramophone Magazine
DVD of the Month
BBC Music Magazine
May 2006
DVD Choice
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Contents
Stage Director: Sir Peter Hall Ruxandra Donose (Cenerentola), Maxim Mironov (Don Ramiro), Simone Alberghini (Dandini), Luciano di Pasquale (Don Magnifico), Raquela Sheeran (Clorinda), Lucia Cirillo (Tisbe), Nathan Berg (Alidoro) London Philharmonic Orchestra & The Glyndebourne Chorus Vladimir Jurowski
Recorded live at the Glyndebourne Opera House, Lewes, East Sussex, on 2nd & 4th June, 2005.
This Blu-ray Disc (BD) is not compatible with standard DVD players.
PICTURE FORMAT: 1080i
LENGTH: 187 Mins
SOUND: 2.0 & 5.0 PCM
SUBTITLES: EN/FR/DE/ES/IT
May 2006
Some found Peter Hall's staging… too dark and serious, but for me it was an invigorating evening. …Vladimir Jurowski… draws highly polished and brilliant playing from the LPO of one of Rossini's greatest scores. …presenting a down-and-out Don Magnifico - dirty to his fingernails - works well when you have such a strong singing-actor as Luciano Di Pasquale. Ruxandra Donose is winning in the title role.
May 2006
This is a truly marvellous performance on all counts - staging, conducting and singing. Sir Peter Hall… manages to breathe new life into the routines without ever slipping over into farce, while exploring each character in some depth. The sense of an ensemble on top form is underlined by Vladimir Jurowski's exacting, pellucid and vivid interpretation, so that the music, like the libretto, is presented afresh. The superb cast has no weaknesses and many strengths, Ruxandra Donose may not have the idiomatic Italian timbre of Cecilia Bartoli... but she is the more consistent singer, using her wide range and rich tone to startling effect. Her youthful (24-year-old) partner, Russian tenor Maxim Mironov, proves an ideal Ramiro, fluent in every aspect of his role and delivering its appreciable demands in a light, pliant voice of delicate beauty.
This is a performance that meets the Glyndebourne gold standard… Hall has decided to keep it real and
produced something understated, sensitive and thus deeply pleasurable.