Purcell - Theatre Music Volume 1
Aronoff, Bower, Duyn, Jeffrey, Kettrick, Mahon, McArthur & Tomkins
Aradia Ensemble, Kevin Mallon
This is an absolutely 'must' for Purcell collectors, and as attractive a distraction for more general listening as it was to 17th-century theatre audiences.
Purcell - Theatre Music Volume 1
Aronoff, Bower, Duyn, Jeffrey, Kettrick, Mahon, McArthur & Tomkins
Aradia Ensemble, Kevin Mallon
Purchase product
This is an absolutely 'must' for Purcell collectors, and as attractive a distraction for more general listening as it was to 17th-century theatre audiences.
About
Written mostly during the last five years of his life, Purcell’s Theatre Music is a rich and varied collection of some of the composer’s finest melodic inspirations. They include solemn overtures, cheerful and sad songs, as well as delightful dances, either incorporated into the action of the play or performed as preludes and interludes.
This first volume of the series includes many gems such as the erotic musical diversion in Amphitryon which takes the form of a Pastoral Dialogue betwixt Thyrsis and Iris, the amorous shepherd begging for, and finally being granted, his heart’s desire; and the series of dances in The Gordian Knot Unty’d, the most delightful of which are the Rondeau, Minuett and the final Chacone.
Contents and tracklist
- Giles Tomkins (bass), Nicole Bower (soprano), Andrea Jeffrey (soprano), Michelle Kettrick (soprano)
- Aradia Ensemble
- Kevin Mallon
- Recorded: 25-29 April 2006
- Recording Venue: Grace Church on-the-Hill, Toronto, Canada
- Brian Duyn (tenor), Giles Tomkins (bass)
- Aradia Ensemble
- Kevin Mallon
- Recorded: 25-29 April 2006
- Recording Venue: Grace Church on-the-Hill, Toronto, Canada
- Aradia Ensemble
- Kevin Mallon
- Recorded: 25-29 April 2006
- Recording Venue: Grace Church on-the-Hill, Toronto, Canada
- Brian Duyn (tenor), Giles Tomkins (bass), Peter Mahon (countertenor), Nicole Bower (soprano), Neil Aronoff (bass), Roz McArthur (alto)
- Aradia Ensemble
- Kevin Mallon
- Recorded: 25-29 April 2006
- Recording Venue: Grace Church on-the-Hill, Toronto, Canada
Awards and reviews
August 2008
This is an absolutely 'must' for Purcell collectors, and as attractive a distraction for more general listening as it was to 17th-century theatre audiences.
May 2008
Worthy, professional and instinctively stylish but somewhat under-explored performances.
