Leçons de Ténèbres
Emma Kirkby and Agnès Mellon (sopranos), Charles Medlam (bass viol) & Terence Charlston (organ)
Couperin's Leçons de ténèbres are justly celebrated, their intense yet intimate sound-world reflecting both the agony and the ecstasy of these texts. …the crystalline purity of Emma Kirkby's...
Leçons de Ténèbres
Emma Kirkby and Agnès Mellon (sopranos), Charles Medlam (bass viol) & Terence Charlston (organ)
Purchase product
Couperin's Leçons de ténèbres are justly celebrated, their intense yet intimate sound-world reflecting both the agony and the ecstasy of these texts. …the crystalline purity of Emma Kirkby's...
About
The Leçons de Ténèbres gathered here are some of the finest in the genre. By the time of Couperin and Lalande, a practice of singing the Lamentations of Jeremiah during Holy Week had been established in which the text was divided into nine ‘lessons’ sung over three days, with one candle of a special candelabra being extinguished after each lesson, until ‘tenebrae’ or darkness was achieved on Good Friday. The three Leçons by François Couperin, composed for the royal monastery of Longchamp c. 1714, are highly regarded. (Couperin himself at one time referred to a full set of nine lessons, but only the three for Holy Wednesday are known today.) Couperin, named ‘Organiste du Roi’ in 1693, was the colleague of de Lalande, ‘Maître de Chapelle’ at the French court, whose own Leçons were composed for the royal chapel.
Contents and tracklist
- Emma Kirkby, Terence Charlston, Charles Medlam, Agnès Mellon
- Recorded: September 2005
- Recording Venue: St. Martin's, East Woodhay, Hampshire, England, United Kingdom
- Emma Kirkby, Charles Medlam, Terence Charlston
- Recorded: September 2005
- Recording Venue: St. Martin's, East Woodhay, Hampshire, England, United Kingdom
- Agnès Mellon, Charles Medlam, Terence Charlston
- Recorded: September 2005
- Recording Venue: St. Martin's, East Woodhay, Hampshire, England, United Kingdom
Awards and reviews
April 2008
Couperin's Leçons de ténèbres are justly celebrated, their intense yet intimate sound-world reflecting both the agony and the ecstasy of these texts. …the crystalline purity of Emma Kirkby's soprano offsets the smoky tones of Agnès Mellon. Eloquent restraint and internalised ardour combine in these sensitively judged accounts. Less well known than the Couperin are Lalande's hypnotic Tenebrae settings... These are, in short, performances of infinite tenderness, profound affection and mature insight.
May 2008
When the two voices swell fervently there is a sense of emotional arrival, mutual enhancement and discovery.