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Elliott Carter - String Quartets Volume 1

Pacifica Quartet

Awards:

In No 1 (1951), the Pacifica find a near-perfect balance between the driving intensity of the Arditti and portentous grandeur of the Juilliard. In No 5 (1995) they, like the Arditti make the...

Elliott Carter - String Quartets Volume 1

Pacifica Quartet

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This release includes a digital booklet

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Awards:

In No 1 (1951), the Pacifica find a near-perfect balance between the driving intensity of the Arditti and portentous grandeur of the Juilliard. In No 5 (1995) they, like the Arditti make the...

About

Released to celebrate the American master Elliott Carter’s centenary, this is the first of two discs of the complete String Quartets. Carter himself has written: ‘I probably decided to write what was to be the First Quartet when I read about a composition prize in Liege, Belgium, because there are many ideas swarming around in my imagination about expression, rhythm and harmony mostly derived from my Cello Sonatas …. Then my Second, Third, and Fourth Quartets developed my imaginings in different ways until I began to realise that soon I would exhaust this direction, and so my Fifth Quartet became a farewell to the previous four and an exploration of a new vision’

Contents and tracklist

I. Maestoso
Track length9:05
I. Allegro scorrevole (from bar 356)
Track length3:28
II. Allegro scorrevole
Track length1:18
II. Adagio (from bar 57)
Track length11:58
III. Variations
Track length13:33
Introduction
Track length1:23
I. Giocoso
Track length2:31
Interlude I
Track length1:04
II. Lento espressivo
Track length2:11
Interlude II
Track length1:22
III. Presto scorrevole
Track length1:07
Interlude III
Track length1:29
IV. Allegro energico
Track length1:52
Interlude IV
Track length1:58
V. Adagio sereno
Track length2:46
Interlude V
Track length1:38
VI. Capriccioso
Track length1:38

Awards and reviews

April 2008

In No 1 (1951), the Pacifica find a near-perfect balance between the driving intensity of the Arditti and portentous grandeur of the Juilliard. In No 5 (1995) they, like the Arditti make the most of its alternation of outwardly spontaneous and rigorous sections, yet the sense of tension and release is even more capricious.

The Pacificas launch a complete cycle of his string quartets with the imposing First (a breakthrough in metrical complexity) paired with the airier, swifter Fifth. Naxos do composer and musicians proud, with clear sound and a good spatial spread – essential for catching the tumbling notes. Music with heart as well as a brain; and a great Naxos bargain.
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