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Music for The Lion-Hearted King
Music to mark the 800th anniversary of the Coronation of King Richard I of England in Westminster Abbey, 3 September 1189
Margaret Philpot, Rogers Covey-Crump, John Mark Ainsley, Leigh Nixon, then Margaret Philpot
Gothic Voices, Christopher Page (director)
Wonderful accounts of amazing music. Hear the exquisitely salty dissonances of 'Latex silice', and for the young John Mark Ainsley singing 'Li nouviauz tanz' with sinuous delicacy.
Music for The Lion-Hearted King
Music to mark the 800th anniversary of the Coronation of King Richard I of England in Westminster Abbey, 3 September 1189
Margaret Philpot, Rogers Covey-Crump, John Mark Ainsley, Leigh Nixon, then Margaret Philpot
Gothic Voices, Christopher Page (director)
Purchase product
Wonderful accounts of amazing music. Hear the exquisitely salty dissonances of 'Latex silice', and for the young John Mark Ainsley singing 'Li nouviauz tanz' with sinuous delicacy.
About
Contents and tracklist
anon.:
Mundus vergens
Work length2:06
anon.:
Novus miles sequitur
Work length2:24
Brulé:
A la douçour de la bele seson
Work length4:57
- Margaret Philpot (alto)
- Gothic Voices
- Christopher Page
anon.:
Sol sub nube latuit
Work length3:35
anon.:
Hac in anni ianua
Work length4:02
anon.:
Anglia, planctus itera
Work length5:43
- Margaret Philpot (alto)
- Gothic Voices
- Christopher Page
anon.:
Etas auri reditur
Work length3:52
anon.:
Vetus abit littera
Work length2:46
anon.:
In occasu sideris
Work length6:13
Work length4:08
- Margaret Philpot (alto)
- Gothic Voices
- Christopher Page
anon.:
Purgator criminum
Work length3:56
- Leigh Nixon (tenor)
- Gothic Voices
- Christopher Page
Couci:
Li nouviauz tanz
Work length5:16
anon.:
Pange melos lacrimosum
Work length4:21
anon.:
Ver pacis apperit
Work length1:54
anon.:
Latex silice
Work length2:53
Awards and reviews
January 2008
Wonderful accounts of amazing music. Hear the exquisitely salty dissonances of 'Latex silice', and for the young John Mark Ainsley singing 'Li nouviauz tanz' with sinuous delicacy.
This is rather special—the best record I have ever reviewed
