…there is magical playing in the Presto of the Mozart and throughout much of the Ravel. …'La vallée des cloches' ends the recital on a note of sublime beauty.

Throughout her live programme Imogen Cooper's poise and overall artistry make a refreshing change from a more overt, less subtle virtuosity.
She captures all of Beethoven's speculative beauty at the start of his Op 101 Sonata, and if others are more fiercely energised in the second movement march, with its prophecy of Schumann's obsessive dotted rhythms, few are more stylish and refined. Again, if her view of Mozart's A minor Sonata could be thought sometimes self-consciously beautiful or manicured, there is no denying her calibre, never more so than in her urgent propulsion of the wind-swept finale.
Cooper studied with Kathleen Long in London and Jacques Février in Paris, which gives her Ravel a special distinction. Less animated or razor-sharp than others in 'Alborada del gracioso', she never forces the issue, and there is never a hint of the literalism that is the bane of many French pianists. 'Noctuelles', 'Oiseaux tristes' and 'La vallée des cloches' come beguilingly alive when played with such freedom and fantasy, yet always within a scrupulously true and accurate framework.
For her encore Cooper gives us Debussy's 'Les terraces des audiences', reminding you in every elusive phrase that subtlety and finesse are at the very heart of great French piano writing.
The BBC's soft-grained sound is ideally attuned to this never less than beautiful recital.

Go, listen, and wonder how many better pianists there are alive in this country, or anywhere