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Rameau: Zoroastre

Anders J Dahlin (Zoroastre), Evgueniy Alexiev (Abramane), Sine Bundgaard (Amélite), Anna Maria Panzarella (Erinice), Lars Arvidson (Zopire/La Vengeance), Marcus Schwartz (Narbanor), Gerard Théruel (Oromasès/Ariman), Ditte Andersen (Céphie)

The Drottningholm Theatre Orchestra and Chorus &...

Rameau: Zoroastre
Christophe Rousset and his forces deliver an excellently paced reading and much of the singing is perfectly judged. Pierre Audi's production, while it moves the cast around efficiently enough,...

Rameau: Zoroastre

Anders J Dahlin (Zoroastre), Evgueniy Alexiev (Abramane), Sine Bundgaard (Amélite), Anna Maria Panzarella (Erinice), Lars Arvidson (Zopire/La Vengeance), Marcus Schwartz (Narbanor), Gerard Théruel (Oromasès/Ariman), Ditte Andersen (Céphie)

The Drottningholm Theatre Orchestra and Chorus &...

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NTSC, Region: All

$42.75

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Christophe Rousset and his forces deliver an excellently paced reading and much of the singing is perfectly judged. Pierre Audi's production, while it moves the cast around efficiently enough,...

About

'The music is spectacular. It will be very surprising for an audience of today. I think they expect something more static, and it's never static. It's always in change, and it surprises you.’ Christophe Rousset (Musical Director)

Recorded live at Drottningholms Slottsteater on the Drottningholm Island, Stockholm in July 2006.

Bonus Feature: Documentary "Zoroastre: Discovering an opera" by Olivier Simonnet.

PICTURE FORMAT: 16:9
LENGTH: 227 Mins
SOUND: DTS SURROUND / LPCM STEREO
SUBTITLES: EN/FR/DE/ES/IT

Artists

Anders J Dahlin (Zoroastre), Evgueniy Alexiev (Abramane), Sine Bundgaard (Amélite), Anna Maria Panzarella (Erinice), Lars Arvidson (Zopire/La Vengeance), Marcus Schwartz (Narbanor), Gerard Théruel (Oromasès/Ariman), Ditte Andersen (Céphie)

The Drottningholm Theatre Orchestra and Chorus & Les Talens Lyriques, Christophe Rousset

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Awards and reviews

July 2007

Christophe Rousset and his forces deliver an excellently paced reading and much of the singing is perfectly judged. Pierre Audi's production, while it moves the cast around efficiently enough, is at times obscure in its use of gesture…
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