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Mendelssohn: Der Onkel aus Boston

Carsten Süss (Tenor), Lothar Odinius (Tenor), Kate Royal (Soprano), István Kovács (Bass), Bernd Valentin (Baritone), Andreas Daum (Bass)

Stuttgart Bach Collegium, Gächinger Kantorei Stuttgart, Helmuth Rilling

Among the singers, Kate Royal stands out for the warmth of her characterisation in the central soprano role; but the entire cast seems to have thrown itself into the project with enthusiasm.

Mendelssohn: Der Onkel aus Boston

Carsten Süss (Tenor), Lothar Odinius (Tenor), Kate Royal (Soprano), István Kovács (Bass), Bernd Valentin (Baritone), Andreas Daum (Bass)

Stuttgart Bach Collegium, Gächinger Kantorei Stuttgart, Helmuth Rilling

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Among the singers, Kate Royal stands out for the warmth of her characterisation in the central soprano role; but the entire cast seems to have thrown itself into the project with enthusiasm.

About

Felix Mendelssohn (1809-1847) was one of the great child prodigies of music history. His immortal Midsummer Night’s Dream Overture was written at the age of 17, but this long-lost masterpiece was created three years earlier. Written when Mendelssohn was 14, Der Onkel aus Boston, oder Die beiden Neffen ("The Uncle from Boston, or The Two Nephews") is a full-length, three-act comic opera displaying staggering skill and talent. The famed conductor and musicologist Helmut Rilling discovered the score in Mendelssohn’s handwriting in the Berlin State Library. Rilling prepared the work and gave the first belated public performance in Essen, Germany on October 3, 2004. He then brought it to the Oregon Bach Festival for the American premiere on July 3, 2005.

Contents and tracklist

Act I: Overture
Track length7:30
Act I: Duet: Everything is resting in sweet slumber
Track length2:50
Act I: Trio with Chorus: Aha! Aha! He' s hiding here! Yes! Yes!
Track length6:18
Act I: Recitative and Aria: O heaven!
Track length7:08
Act I: Quartet: No, that is unbearable!
Track length6:39
Act I: Finale: The sounds of rejoicing echo loudly
Track length13:45
Applause
Track length0:44
Act II: Aria with Chorus: But be still, shhh! Quiet, deear people
Track length3:22
Act II: Quartet with Chorus: What do I see?
Track length11:59
Applause
Track length0:36
Act II: March
Track length0:22
Act II: Arieta: When all the gods unite
Track length2:52
Applause
Track length0:19
Act II: Quintet: I am laying down my beloved scepter
Track length5:37
Act II: Duet: The Devil! That is truly a hellish plot
Track length3:07
Applause
Track length0:43
Act III: Recitative and Aria: Night is already coming with lengthening
Track length8:10
Applause
Track length0:24
Act III: Aria: Damn it! Everyone is running from me
Track length2:59
Applause
Track length0:15
Act III: Quartet: Yes, this man filled with grace and kindness
Track length4:37
Act III: Finale: You know already the sweet desire
Track length14:36
Applause
Track length0:49

Awards and reviews

October 2005

Among the singers, Kate Royal stands out for the warmth of her characterisation in the central soprano role; but the entire cast seems to have thrown itself into the project with enthusiasm.

Opera Today

Helmut Rilling’s fine sense of style makes this recording immediately accessible, with tempos that suit the music quite well. At the same time, his deft handling of the orchestra contributes another dimension to this score.
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