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Special offer. Szymanowski - Violin Concertos Nos. 1 and 2
Ilya Kaler (violin)
Warsaw Philharmonic Orchestra, Antoni Wit
Awards:
-
Gramophone Magazine, July 2007, Editor's Choice
Ilya Kaler is a near ideal interpreter of these works and the delightful Nocturne and Tarantella which serve as makeweight. His playing certainly has the requisite passion, but he also has...
Special offer. Szymanowski - Violin Concertos Nos. 1 and 2
Ilya Kaler (violin)
Warsaw Philharmonic Orchestra, Antoni Wit
Purchase product
Awards:
-
Gramophone Magazine, July 2007, Editor's Choice
Ilya Kaler is a near ideal interpreter of these works and the delightful Nocturne and Tarantella which serve as makeweight. His playing certainly has the requisite passion, but he also has...
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Contents and tracklist
- Ilya Kaler
- Warsaw Philharmonic Orchestra
- Antoni Wit
- Ilya Kaler
- Warsaw Philharmonic Orchestra
- Antoni Wit
- Ilya Kaler
- Warsaw Philharmonic Orchestra
- Antoni Wit
- Ilya Kaler
- Warsaw Philharmonic Orchestra
- Antoni Wit
Awards and reviews
-
Gramophone MagazineJuly 2007Editor's Choice
August 2007
Ilya Kaler is a near ideal interpreter of these works and the delightful Nocturne and Tarantella which serve as makeweight. His playing certainly has the requisite passion, but he also has a strong sense of line.
2010
Naxos offers an exceptionally clear recording of these three concertante works by Szymanowski, not just the two violin concertos but an orchestrated version of the Nocturne and Tarantella.
Ilya Kaler, as on his other Naxos discs, gives pure, clear readings with flawless intonation and careful use of vibrato. Having a Polish conductor and orchestra as his accompanists adds to the idiomatic feel of each, with the magical orchestral sounds beautifully conjured up, particularly in No 1, the more radical of the two works.
Kaler is a degree warmer with a shade more vibrato than some interpreters, and the Naxos recording brings out the fantasy of the composer's orchestration, particularly in No 1, with wonderful clarity. In the more openly lyrical Second Concerto, Kaler adopts more flowing speeds with lighter results.
Kaler then plays the relatively brief Nocturneand Tarantella just as sympathetically, with the Tarantella a flamboyant virtuoso vehicle making a splendid climax to an excellent disc. The point which trumps all competition inevitably is that the Naxos issue, beautifully and idiomatically played and brilliantly recorded, comes at such a reasonable price.
A wonderfully compelling disc from Ilya Kaler…in the sense that you never want to stop listening to it…as on his other Naxos discs [Ilya Kaler] gives pure, clear readings with flawless intonation and careful use of vibrato…beautifully and idiomatically played.
