Bach, J S: Mass in B minor, BWV232

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Frieder Bernius gives us a B minor Mass which neither sits obediently in the groove of seasoned reverence nor resorts to well-worn and predictable period reflexes. It is a reading whose invigorating... — Gramophone Classical Music Guide, 2010 More…

Release Date: 15th Jan 2007
Catalogue No: CAR83211
Label: Carus
Length: 1 hour 41 minutes

Gramophone Magazine

March 2007

Editor's Choice

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Bach, J S: Mass in B minor, BWV232

Work length1:41:10

$29.70

$40.50

Mechthild Bach (soprano), Daniel Taylor (alto), Raimund Nolte (bass (vocal)), Marcus Ullmann (tenor)
Kammerchor Stuttgart, Barockorchester Stuttgart
Frieder Bernius
Recorded: 2006-11-01

No. 1 Kyrie Eleison I

Track length9:32

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No. 2 Christe eleison

Track length4:20

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No. 3 Kyrie eleison II

Track length2:34

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No. 4 Gloria in excelsis Deo

Track length1:37

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No. 5 Et in terra pax

Track length4:36

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No. 6 Laudamus te

Track length4:08

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No. 7 Gratias agimus tibi

Track length2:22

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No. 8 Domine Deus

Track length5:30

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No. 9 Qui tollis peccata mundi

Track length2:52

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No. 10 Qui sedes ad dexteram Patris

Track length4:30

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No. 11 Quoniam tu solus sanctus

Track length4:20

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No. 12 Cum Sancto Spiritu

Track length3:44

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No. 13 Credo in unum Deum

Track length1:56

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No. 14 Patrem omnipotentem

Track length2:00

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No. 15 Et in unum Dominum

Track length4:31

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No. 16 Et incarnatus est

Track length3:19

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No. 17 Crucifixus

Track length2:54

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No. 18 Et resurrexit

Track length3:33

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No. 19 Et in Spiritum Sanctum

Track length4:33

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No. 20 Confiteor unum baptisma

Track length3:48

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No. 21 Et expecto resurrectionem

Track length2:05

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No. 22 Sanctus

Track length4:53

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No. 23 Osanna in excelsis

Track length2:36

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No. 24 Benedictus

Track length4:04

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No. 25 Osanna in excelsis

Track length2:36

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No. 26 Agnus Dei

Track length5:46

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No. 27 Dona nobis pacem

Track length2:31

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Reviews
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Reviews

2010

Frieder Bernius gives us a B minor Mass which neither sits obediently in the groove of seasoned reverence nor resorts to well-worn and predictable period reflexes. It is a reading whose invigorating momentum is underpinned by a confident bass presence and an immediacy which resolutely ignores the heavy burden of posterity from which performances regularly suffer.
To say that the buoyant, syncopated concertante- like second Kyrie heralds an iconoclastic journey would be an exaggeration but Bernius knowingly approaches the Latin text as a means of liberating the abstract brilliance and lyricism inherent in Bach's great edifice. The 'Et in terra pax' is exquisitely judged with every one of those aspiring figures each yielding a little more ambition, as is the case in the urgent 'Gratias agimus' – though perhaps too driven for some. The same is true in both the 'Qui sedes' and Agnus Dei (despite the introduction being alarmingly faster than the initial vocal strains), sung by the refined Daniel Taylor, where both are approached with an easy and open-ended fluidity which avoids the obvious pit-falls of 'stop-start' between solo movements and the virtuoso ensemble 'concerti'.
Bernius repeatedly seeks a close alliance between his singers and instrumentalists with eloquent arched lines and yet without an obsession for homogeneity at the expense of individual character in the ensemble. The 'Crucifixus' is given an unselfconscious and gently accentuated reading, the chromatic ground and the flute and string 'pointings' instinctively realised. If the 'Confiteor' falls slightly short, the large choruses are open-breathed and thrilling. The Stuttgart Chamber Choir are full of vim and alertness and the trumpet playing is cataclysmically brilliant throughout. Of the solo singers, special mention must be made of the bass, Raimund Nolte, whose soft-grained 'Et in Spiritum Sanctum' stands out, though it is the effect of the combined ingredients which makes this the most striking and satisfying Mass in B minor to have appeared in years.

Bach, J S: Mass in B minor, BWV232

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