Magnificat
Emma Kirkby
Cantillation & Orchestra of the Antipodes, Antony Walker
Comparison with her 1980s recordings of the Bach, Handel and Vivaldi throw the changes into high relief. Fast passages are a touch more reflective, less carefree and dangerous, though her pitching...
Magnificat
Emma Kirkby
Cantillation & Orchestra of the Antipodes, Antony Walker
Purchase product
We pay more royalties to artists and composers than any other streaming service with our innovative Fair Play pay-per-second model
We pay artists and composers fairly with our pay-per-second model
Comparison with her 1980s recordings of the Bach, Handel and Vivaldi throw the changes into high relief. Fast passages are a touch more reflective, less carefree and dangerous, though her pitching...
About
Contents and tracklist
- Leanne Sullivan (trumpet), Emma Kirkby (soprano)
- Orchestra of the Antipodes
- Antony Walker
- Recorded: 2006-01-01
- Emma Kirkby (soprano), Philip Chu (tenor), Josie Ryan (soprano), David Greco (bass), Mirian Allan Ironwood (soprano), Anna Fraser (mezzo-soprano)
- Cantillation, Orchestra of the Antipodes
- Antony Walker
- Recorded: 2006
- Emma Kirkby (soprano)
- Orchestra of the Antipodes, Cantillation
- Antony Walker
- Recorded: 2006-01-01
- Emma Kirkby (soprano)
- Orchestra of the Antipodes, Cantillation
- Antony Walker
- Recorded: 2006-01-01
Awards and reviews
November 2006
Comparison with her 1980s recordings of the Bach, Handel and Vivaldi throw the changes into high relief. Fast passages are a touch more reflective, less carefree and dangerous, though her pitching remains unerring. The sweet naïve clarity that wooed us all is enriched by alternative, more intense colours - her singing is more varied.
