Charles Owen has an admirably light touch, playing with great sensitivity whenever there's a danger of piano domination but is able to adopt a formidable presence in virtuoso passages… Natalie Clein is such a communicative player that we feel compelled to follow her line. Her tone is generally warm and expressive, but capable of receding to a chilly senza vibrato - as for the second subject of the Chopin finale - or rising to considerable intensity. ...whenever the cello is given long, sustained melodies - as in the trios of both Scherzos, and the second theme of the Rachmaninov finale - the effect is quite glorious.