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Special offer. Une Flûte Invisible…

An Imaginary Chamber Opera in Six Scenes. Works by Saint-Saëns, Godard, Caplet, Debussy & Roussel

Sandrine Piau (soprano), Hervé Lamy (tenor), Gilles de Talhouët (flute) & Arthur Schoonderwoerd (piano)

Awards:

This is quite simply marvellous. …an exquisitely planned collection of French music from the turn of the 20th century, bringing together, on the one hand, settings by Saint-Saëns, Pierné, Godard...

Special offer. Une Flûte Invisible…

An Imaginary Chamber Opera in Six Scenes. Works by Saint-Saëns, Godard, Caplet, Debussy & Roussel

Sandrine Piau (soprano), Hervé Lamy (tenor), Gilles de Talhouët (flute) & Arthur Schoonderwoerd (piano)

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Awards:

This is quite simply marvellous. …an exquisitely planned collection of French music from the turn of the 20th century, bringing together, on the one hand, settings by Saint-Saëns, Pierné, Godard...

About

Contents and tracklist

I. Pour invoquer Pan, dieu du vent d'été (Piano)
Track length3:15
I. La flûte de Pan (Soprano et piano)
Track length2:58
IV. Pour la danseuse aux crotales (Piano)
Track length2:58
III. Pour que la nuit soit propice (Piano)
Track length3:47
II. La chevelure (Soprano et piano)
Track length3:34
I. Rossignol, mon mignon... (Ténor et flûte)
Track length4:27
V. Pour l'Égyptienne (Piano)
Track length3:58
II. Pour un tombeau sans nom (Piano)
Track length4:19
III. Le tombeau des Naïades (Soprano et piano)
Track length3:06
VI. Pour remercier la pluie au matin (Piano)
Track length3:26
II. Ciel, aer et vens... (Ténor et flûte)
Track length3:38

Awards and reviews

  • BBC Music Magazine
    September 2006
    Chamber Choice

September 2006

This is quite simply marvellous. …an exquisitely planned collection of French music from the turn of the 20th century, bringing together, on the one hand, settings by Saint-Saëns, Pierné, Godard and Caplet of the same Victor Hugo poem, and, on the other, musical references to Pan, predominantly from Debussy.

October 2006

Debussy's Chansons de Bilitis… are beautifully sung by Sandrine Piau, and Hervé Lamy is at his finest throughout. The flautist, Gilles de Talhouët, who presumably inspired the collection, plays Debussy's Syrinx exquisitely, and Arthur Schoonderwoerd, using an authentic 1907 Erard piano, presents the Epigraphes subtly and seductively.
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