Rossini: Petite Messe solennelle

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I like the fact that the overall effect isn't operatic, and that every attempt seems to have been made to be faithful to Rossini's original intentions. That includes the acoustic, which sounds... — Andrew McGregor, bbc.co.uk, 12th September 2006 More…

Release Date: 31st Aug 2006
Catalogue No: CDA67570
Label: Hyperion
Length: 79 minutes

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Rossini: Petite Messe solennelle

Work length1:19:27

$20.50

$25.55

Gary Cooper (piano), Carolyn Sampson (soprano), Hilary Summers (alto), Andrew Tortise (tenor), Andrew Foster-Williams (bass), William Unwin (tenor)
King's Consort
Robert King

Ia. Kyrie eleison

Track length2:46

$1.00

$1.25

Ib. Christe eleison

Track length1:29

$1.00

$1.25

Ic. Kyrie eleison

Track length2:35

$1.00

$1.25

IIa. Gloria

Track length0:35

$1.00

$1.25

IIb. Et in terra pax

Track length1:46

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$1.25

IIc. Gratias agimus

Track length4:45

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IId. Domine Deus

Track length5:12

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IIe. Qui tollis

Track length7:19

$1.50

$1.85

IIf. Quoniam tu solus sanctus

Track length7:03

$1.50

$1.85

IIg. Cum Sancto Spiritu

Track length4:57

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IIIa. Credo

Track length4:17

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IIIb. Crucifixus

Track length3:34

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IIIc. Et resurrexit

Track length4:35

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IIId. Et vitam venturi saeculi

Track length3:52

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IV. Prélude religieux, pendant l'Offertoire

Track length6:14

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V. Ritournelle

Track length0:31

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VI. Sanctus

Track length3:51

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VII. O salutaris hostia

Track length5:38

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VIII. Agnus Dei

Track length8:28

$1.50

$1.85

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Full of drama, pathos, colour and intensity, Rossinis Petite Messe was written not for a church, but for performance to a select audience assembled in the lavishly furnished salon of a Parisian Countesss newly built town house. This heartfelt religious work was Rossinis last serious workwith it he sincerely hoped to gain admittance to the next worldand shows the extraordinary capabilities of this astonishing man of the theatre. The sheer variety of movements is extraordinary, ranging from a desolate Crucifixus, ecstatic solos, sublime duets and dramatic trios, a hair-raising Et resurrexit, as powerful an Agnus Dei as any of the era, through to two examples of the form of which Rossini was the undisputed master, the fugue: both are utterly compelling. Robert King restores this remarkable old master to its original state, stripping the Petite Messe back to its original scoring (and employing Parisian French Latin pronunciation of the period). Instead of the inflated forces to which this work has often been treated in the past, he returns it to performance with the twelve voices for which Rossini scored it in 1864, together with an accompaniment of two original pianos and a French harmonium of exactly the correct period. The results are stunning. With an outstanding line-up of soloists led by Carolyn Sampson and Hilary Summers, The Kings Consorts entry into mid-nineteenth century repertoire on CD could not be more original, nor more distinguished. A new sound world is brought to glorious music.

Reviews

12th September 2006

I like the fact that the overall effect isn't operatic, and that every attempt seems to have been made to be faithful to Rossini's original intentions. That includes the acoustic, which sounds as though it's chosen to resemble a salon and not a church.

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