This is a beautiful and enterprising collection of works by Bax. In Memoriam for cor anglais, harp and string quartet probably dates from 1917. It's subtitled 'An Irish Elegy'; like the Elegiac Trio from the same period, its poignant mood reflects Bax's despair at the tragic events of the Easter Rising. In the single-movement String Quintet (completed in January 1933) he draws some luscious, almost orchestral sonorities from his chosen forces. Scored for horn, piano and string sextet, the 1934 Octet (labelled 'Serenade' on the short score) is a two-movement work of strong appeal and engaging charm: the magically evocative opening brings echoes of those unforgettable horn solos in the Third Symphony's central Lento, while the icy glitter of the piano part from 1'53" in the second-movement Scherzo momentarily conjures up the far-Northern landscape of Winter Legends.
The Threnody and Scherzo for bassoon, harp and string sextet of 1936 is perhaps less immediately striking. The writing is as fluent and accomplished as ever but the melodic material isn't as fresh as might have been wished. By contrast, the Concerto for flute, oboe, harp and string quartet is one of Bax's most likeable chamber offerings.
This is a captivating transcription for septet of a Sonata for flute and harp from 1928 and proves an exquisite gem, its deft and joyous outer movements framing a lovely central 'Cavatina'. The sound is warm and transparent.