The world's leading 'operatic' countertenor has sung on precious few of the abundant complete Handel recordings of the last decade so this selection of oratorio arias fills some of the gaps in the Daniels discography.
The American was to have sung Didymus in Paul McCreesh's Archiv recording of Theodora – the role of his Glyndebourne début in Peter Sellars's controversial 1995 staging – but he was unable to fit the preceding concerts into his burgeoning international schedule and was replaced by Robin Blaze. Not surprisingly, he includes four of Didymus's arias in his oratorio album, and rejoices in the wonderful music Handel composed for the young Italian castrato, Gaetano Guadagni. The sensuous colours of Daniels' falsetto are ideal in this music, which he sings with beguiling erotic ambiguity.
The same goes for David's ravishing 'O Lord, whose mercies numberless' – a prayer whose yearning melismata suggest passions more earthly than godly – from Saul. There's little cause for complaint, except perhaps about the use of the modern instrument Ensemble Orchestral de Paris rather than a period band, but at least John Nelson's conducting – particularly in the fast-moving numbers – is livelier than on his complete L'allegro. In excellent sound, this glorious disc comes highly recommended.