Furtwängler and Menuhin recorded the Beethoven Concerto on two occasions, and this second version has an extraordinary quality of spirituality and profundity. Furtwängler's conducting of the opening tutti has a magnificently arresting, weighty quality, and Menuhin's response, profound and rich in re-creative imagination shows the two great artists in perfect accord. Their account of this movement is on the largest scale, yet they convey Beethoven's vision in a humane, approachable fashion. The slow movement has a highly concentrated yet serene character, with Menuhin's rapt, singing tone achieving rare eloquence, and the finale is superbly balanced, with an affecting sense of a shared, joyful experience. The recording sounds quite similar to the original LP issue, but the quality is quite acceptable.
The Mendelssohn was recorded a year earlier, and here remastering has brought a slight roughening in an orchestral sound which was never very ingratiating, though the defect isn't serious. Menuhin and Furtwängler float the first movement in an unhurriedly serene, elegantly shaped fashion. In the slow movement they achieve a touchingly tender, almost innocent quality and the finale, taken at a moderate tempo, has lightness and an appealingly eager character.