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Grieg: Peer Gynt and Holberg Suites

and works by Sibelius

Berliner Philharmoniker, Herbert von Karajan

Very impressive indeed. Somehow one feels that one could stretch out and touch the players, so vivid is the sound here. In the Peer Gynt movements, there's much greater range and separation....

Grieg: Peer Gynt and Holberg Suites

and works by Sibelius

Berliner Philharmoniker, Herbert von Karajan

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Very impressive indeed. Somehow one feels that one could stretch out and touch the players, so vivid is the sound here. In the Peer Gynt movements, there's much greater range and separation....

About

Contents and tracklist

I. Morning Mood
Track length4:13
II. The Death of Åse
Track length4:33
III. Anitra's Dance
Track length3:18
IV. In the Hall of the Mountain King
Track length2:10
I. The Abduction of the Bride. Ingrid's Lament
Track length5:01
II. Arabian Dance
Track length4:54
III. Peer Gynt's Homecoming
Track length2:54
IV. Solveig's Song
Track length6:02
I. Praeludium. Allegro vivace
Track length3:02
II. Sarabande. Andante
Track length4:16
III. Gavotte. Allegretto
Track length3:48
IV. Air. Andante religioso
Track length5:51
V. Rigaudon. Allegro con brio
Track length3:55

Awards and reviews

2010

Very impressive indeed. Somehow one feels that one could stretch out and touch the players, so vivid is the sound here. In the Peer Gynt movements, there's much greater range and separation.
Peer Gynt is most beautifully done. At times you might think the wind could have been a shade more distant, particularly in the 'By the seashore' movement but there's no want of atmosphere here – quite the contrary! Not to put too fine a point on it, this is a marvellous recording. In the Holberg Suite, the sound has marvellous clarity and definition as well as exemplary range. For some tastes it may be a little too sophisticated but one's admiration for it remains undimmed. The playing throughout is beautifully cultured and there's wonderful lightness and delicacy.
The present issue is Karajan's third account of 'The Swan of Tuonela' and it's regrettable that he never committed to disc the four Legends in their entirety. It's as powerful and atmospheric an account as ever recorded, and the remaining two pieces, 'Valse triste' and Finlandia, reinforce the feeling that this partnership has never been equalled. The stirring account of Finlandia is incredibly wide-ranging – the orchestral playing is really in a class of its own.
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