Albinoni's Op 7 and Op 9 consist of four concertos with (rather than for, as the composer insisted) one oboe, four with two oboes and four for strings only. Overall, the last show a strong family resemblance, with vivacious outer movements and suave slow movements that tend to be more chromatic; but the Op 9 string concertos include a solo violin part, at times very elaborate. The first volume contains the works for solo oboe and strings. Albinoni treats the oboe like a voice and the slow movements have tunes that stay in the mind. The second volume contains the string and doubleoboe concertos. All are three-movement dachiesa works, with cheerful outer movements and slow ones that often remind you that Albinoni wrote a good deal of vocal music. The two oboes 'sing' together for the most part, either in thirds or in unison. The concertos on Vol 3 for two oboes display rather more individuality – the joyous finale of Op 7 No 11 intriguingly sharpens the fourth of the scale, Op 9 No 9 allows the oboes more independence of each other, while in the outer movements of Op 9 No 12 the oboes put up a good pretence at being trumpets.
Anthony Robson and Catherine Latham contribute deftly to the spirit of enjoyment that emanates from the whole of this disc. Collegium Musicum 90 is one of the very best Baroque bands around and here the players are in their element. The recorded balance is just right, keeping soloists and strings in equal perspective.