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Mozart: String Quartet No. 22 in B flat major, K589 'Prussian No. 2', etc.

Quatuor Mosaiques

This release completes the Mosaïques' recording of the 10 mature Mozart Quartets: an outstanding achievement. Apart from the clear, rich sound of the period instruments and the precise, beautiful...

Mozart: String Quartet No. 22 in B flat major, K589 'Prussian No. 2', etc.

Quatuor Mosaiques

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This release completes the Mosaïques' recording of the 10 mature Mozart Quartets: an outstanding achievement. Apart from the clear, rich sound of the period instruments and the precise, beautiful...

About

Contents and tracklist

I. Allegro
Track length9:39
II. Larghetto
Track length6:10
III. Menuetto. Moderato
Track length6:45
IV. Allegro assai
Track length3:59
I. Allegretto
Track length14:48
II. Menuetto and Trio. Allegretto
Track length3:41
III. Adagio
Track length7:41
IV. Allegro
Track length10:10

Awards and reviews

2010

This release completes the Mosaïques' recording of the 10 mature Mozart Quartets: an outstanding achievement. Apart from the clear, rich sound of the period instruments and the precise, beautiful tuning, what impresses about this Mozart playing is the care for detail, the way each phrase is shaped so as to fit perfectly into context while having its own expressive nuances brought out clearly. This often leads the quartet to use more rubato, to make more noticeable breathing spaces between sentences than many other groups do.
In the first movements of both these quartets, for instance, the Mosaïques adopt a very similar tempo and tone to the Quartetto Italiano, but the Italians aren't so rhythmically flexible. The Mosaïques make us listen to and appreciate the significance of each detail as it unfolds. With this approach there might be a danger of sounding contrived, but even when adopting a mannered style, as in the Minuet of K499, the Mosaïques retain a strong physical connection with the music's natural pulse – by comparison the Italiano here seem a trifle heavy and humourless.
The slow movements of both quartets are taken at a flowing pace, making possible an unusual degree of expressive flexibility. All repeats are made, including those on the Minuet's dacapo in K499. The longer the better when the playing is as exceptional as this.
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