Hyperion
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The Romantic Piano Concerto 38 - Rubinstein & Scharwenka
Marc-André Hamelin (piano)
BBC Scottish Symphony Orchestra, Michael Stern
Anton Rubinstein is well served on record these days: the catalogue lists half-a-dozen versions of the Fourth Concerto… Marc-André Hamelin gives a dazzling account of this, and also of the... —
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Gramophone Magazine, October 2005, Editor's Choice
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A very welcome reissue indeed. Eloquent, unfailingly beautiful in tone and blessedly free of mannerism, Livia Rev combines in almost perfect balance the simplicity of utterance required of all... —
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Building a Library, April 2002, First Choice
Purchase product
2 CDs
$17.75 -
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One has a powerful sense of Cecile Licad and Alban Gerhardt's compelling grasp of architecture...[in the Andante of No. 1] Licad's melting lines are wonderfully voiced, and we have a choice... —
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Gramophone Magazine, April 2012, Editor's Choice
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Liszt Complete Music for Solo Piano 21: Soirees Musicales & Soirees Italiennes
Leslie Howard (piano)
The charm of Donizetti's 'Nuits d'été à Pausilippe' makes one grateful for their rescue by Liszt and by Howard —
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Delectatio angeli
Music of love, longing & lament
Catherine Bott (soprano), Pavlo Beznosiuk (fiddle), Mark Levy (fiddle)
These performances must rank amongst Bott's best (and that's saying something), her range sometimes impinging in pitch and timbre on alto/counter-tenor territory. Whatever the mood, and whether... —
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The most substantial item...is undoubtedly the suite Ruralia Hungarica...It's an enormously attractive work, by turns exhilarating...and rhapsodic...Roscoe relishes these contrasts in mood with... —
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Gramophone Magazine, April 2015, Editor's Choice
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The variety of moods in these miscellanea, lovingly performed by the Ulster Orchestra and Howard Shelley in congenial sound, is one of its most attractive features…And the most winning work?... —
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Presto Recording of the Week, 16th August 2019
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How do you make a worthwhile contribution to the enormous range of performances without sounding willful or perverse? Kolesnikov opts for a middle way, rather like Wilhelm Kempff two generations... —
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The Times Records of the Year, 2020
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