Hyperion
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the E flat Sonata opens with arresting gestures designed to let the performers show off, which Tanja Becker-Bender and Peter Nagy seize with relish. They give generally spacious readings of... — More…
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The singing is neat, clear and fluid, with beautifully elastic phrasing from the two tenors. The Nunc Dimittis provides the sweetest moments in the Great Service itself — More…
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Thankfully, the scholars have more sense than to draw precise parallels between any particular piece of music and a particular sculpture…the six adult male singers of The Binchois Consort under... — More…
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Unexpected tempos, but the atmosphere is unmistakable. Kolesnikov finds nocturnal quietude in the Moonlight Sonata, and his lucid, thoughtful approach pays off elsewhere too. — More…
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The 50-strong oratory choir is made up entirely of boys, and conductor Charles Cole draws singing of vernal freshness from them, with excellent ensemble and an interpretive awareness that puts... — More…
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The Romantic Piano Concerto 80 - Dupont & Benoit
Howard Shelley (piano/conductor), Sinfonieorchester St Gallen
Two pleasant, if unremarkable, works. Soloist Howard Shelley adds plenty of sparkle, mind. — More…
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Offer,
Yulefest! Christmas music from Trinity College Cambridge
Trinity College Choir Cambridge, Stephen Layton
All the popular selections…sound notably relaxed and idiomatic, the choir's stylistic versatility confidently demonstrated. — More…
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Jančevskis: Aeternum & other choral works
Katrīna Paula Felsberga (soprano), Dārta Liepiņa (soprano), Artūrs Švarcbahs (percussion, bass), Anna Amanda Stolere (soprano), Mārtiņš Zvīgulis (tenor), Jēkabs Jančevskis (organ), Artūrs Oskars Mitrevics (percussion), Kristaps Bergs (cello), Ansis Jansons (zither), Silvija Emīlija Sūna (alto), Katrīna...
From haunting stillness to exquisite plangency, the Latvian Jančevskis’s choral music captivates with its sheer intensity. It is superbly sung here by the highly polished Riga Cathedral Choir. — More…
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The Romantic Piano Concerto 71 - Czerny
Howard Shelley (piano/conductor)
Tasmanian Symphony Orchestra
in the later Piano Concerto in A Minor Czerny’s limpid writing emulates Chopin in its attractive, early romanticism — an unexpected delight… — More…
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Bruckner - The Three Masses
Joan Rodgers (soprano), Catherine Wyn-Rogers (contralto), Keith Lewis (tenor), Alastair Miles (bass), James O'Donnell (organ), Colin Sheen, Roger Brenner, Phillip Brown (trombones), Olga Hegedus (cello), Thomas Martin (double bass), Juliet Booth (soprano), Jean Rigby (mezzo soprano), John Mark Ainsley...
The F minor Mass can certainly be regarded as being among the finest music Bruckner ever created.
The intensity of religious feeling is heightened rather than diminished by the sumptuous orchestral... — More…3 CDs
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