Hyperion
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Chloe Hanslip and Igor Tchetuev certainly have the measure of these voluble and passionate yet always disciplined works, turning in performances of the first rank. The bubbling rhythmic liveliness... —
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Westminster Cathedral Choir is at its best in the large-scale drama of the Credo of the Mass…though they discover a truly moving spaciousness in O quam suavis est…overall, a convincing introduction... —
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His music doesn’t deserve its neglect, even if his settings of Meinem Kinde and Morgen won’t displace Strauss’s...[Bevan] is characterful in the song quoting Mendelssohn’s Wedding March ironically,... —
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There are excellent moments in Tiberghien’s Preludes: the beautiful voicing of No. 1, or the interesting pacing for the F minor, in which he holds back the energy at first, then lets it build... —
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The Jupiter Project
Mozart in the nineteenth-century drawing room
David Owen Norris (piano), Katy Bircher (flute), Caroline Balding (violin), Andrew Skidmore (cello)
Special kudos are due to pianist David Owen Norris, who plays brilliantly throughout, with the kind of technical precision, sensitivity, and pristine legato so prized by Mozart. His embellishments... —
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Purchase product
CD
$17.75 -
Sitkovetsky sings with real passion, and is emotive, even if that means compromising beauty of tone on occasion. —
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The programme showcases [Brumel's] heterogenous style...and the group's radiant sound - superbly captured in the open, silvery recording - illuminates the multiple texts of this glittering musical... —
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Buoyed by Johnson’s acutely judged accompaniments, the fresh-toned young soprano Harriet Burns, on her CD debut, spins a pure line and responds sensitively to the echt-Brahmsian moods of loneliness,... —
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this makes a terrific introduction to the wide-ranging output of the 16th-century Spanish composer-cum-priest. Only the occasional loose edge in the livelier works mars the otherwise highly... —
