Hyperion
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Constant Lambert's Tiresias was commissioned for the Festival of Britain in 1951 and the subject had been preoccupying the composer for over 20 years. In the event, the ailing Lambert struggled... —
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A very good pianist, who understands the Lisztian idiom and presents it with great effectiveness —
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The two longest works – the cantata Boyhood'sEnd and song cycle The Heart's Assurance – challenge the musicianship and sensitivity of both singer and pianist alike. Boyhood's End (1943), a setting... —
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With such strong, sympathetic playing and clear, carefully-balanced recordings this Hyperion disc is a must for adventurous cellists and listeners alike —
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Psalms from St Paul's - Vol 11
Psalms 119, 136 to 138
Huw Williams (organ)
St Paul's Cathedral Choir, John Scott
The singing is of the same high standard maintained throughout the series; the organ accompaniments are distinguished —
Purchase product
CD
$12.75 -
The Romantic Piano Concerto 44 - Henryk Melcer
Jonathan Plowright (piano)
BBC Scottish Symphony Orchestra, Christoph König
The Second Concerto… is crowned by a hair-raising final Allegro con fuoco, a remarkable tour de force which, were it ever to be heard in a concert hall, would have you on your feet at the end... —
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The Songs of Robert Schumann - Volume 11
Hanno Müller-Brachmann (baritone) & Graham Johnson (piano) with Katherine Broderick (soprano), Geraldine McGreevy (soprano), Stella Doufexis (mezzo-soprano), Adrian Thompson (tenor) & Stephan Loges (baritone)
A real disc of discovery: this is Schumann as he is seldom heard. In this final volume of his revelatory Songs of Robert Schumann series, Graham Johnson perceptively writes about, accompanies... —
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Thanks principally to Stephen Layton's advocacy, Pawel Lukaszewski's reputation is growing rapidly, and rightly so. All the performers evince an emotional commitment to the content as well... —
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…Holl's interpretation really does stand alone in its musical truthfulness and depth of insight. —
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Herrick is at his most persuasive in the chorale-embroidering preludes...commanding in the large-scale Magnificat Fantasia, to-the-point in the extended fugue which concludes BuxWV 145, and... —