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Bloch gives us a splendidly spiky central Scherzo and nicely paced final Rondo, but his two Nachtmusik movements are not as mysterious as some I’ve heard. — More…
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Here's ample proof, if it were needed, of Charpentier's rank as the finest Baroque church music composer of his generation. — More…
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Liszt: A Faust Symphony, S108
Steve Davislim (tenor)
Orchester Wiener Akademie & Chorus Sine Nomine, Martin Haselböck
[Haselböck] reveals aspects of Liszt’s scoring that would otherwise go unnoticed…you being to understand Liszt’s sound world as he understood it…beautiful singing by Steve Davislim — More…
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Ravel: La Valse, Rapsodie Espagnole & Attahir: Adh-Dhor
Orchestre National de Lille, Alexandre Bloch
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[there is an] imaginative flair and subtlety of touch about Krzysztof Urbánski’s conception [of the Concerto for Orchestra]…[the Fourth Symphony] receives such lucid and dedicated advocacy that... — More…
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Les Grandes Eaux
Musicales de Versailles
Emöke Barath (Scylla), Anders J. Dahlin (Glaucus), Caroline Mutel (Circé), Benoît Arnould (Tancrède), Isabelle Druet (Clorinde), Chantal Santon (Herminie), Eric Martin-Bonnet (Isménor), Alain Buet (Argant), Erwin Aros (un sage enchanteur/un sylvain/un guerrier/La Vengeance), Anne-Marie Beaudette...
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