Alpha

Romaniuk puts his multi-keyboard classical and improvising skills to the test, alternating between concert grand, harpsichord, fortepiano and the once ubiquitous Fender Rhodes electric piano...A... — Gramophone Magazine, November 2020 More…

My jury is still out regarding El Bacha as an interpreter. El Bacha the composer and improviser, however, is the real thing. — Gramophone Magazine, May 2023 More…

Choral blend and enunciation are immaculate, at their very best in Martin's Songs of Ariel…it's particularly good to see 'Let mine eyes run down with tears' among the more familiar numbers -... — Gramophone Magazine, August 2015 More…

another stimulating and imaginatively curated programme of short pieces and improvisations, going back and forth between various acoustic and electronic keyboards. — Gramophone Magazine, April 2023 More…

Yes, there is a certain loss of power and depth of sound at times [in La mer], offset by gains in clarity. It does not replace the original, of course, but is a fascinating examination of it. — Gramophone Magazine, September 2022 More…

Trotignon’s classical music does not always betray its composer’s jazz roots but the latter’s influence can be heard clearly in L’air de rien. — Gramophone Magazine, March 2022 More…