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The piano-writing [in Choralvorspiele] ranges from manic to stark: from the note-spinning of the fifth movement, reminiscent of the ‘High’ Baroque at its most obsessive, to, at the other extreme,... — Gramophone Magazine, November 2018 More…

Creative decisions have been taken about where to place Ives's songs in relation to each other, this new concept designed to illuminate our understanding of the time and place that begat them...both... — Gramophone Magazine, May 2013 More…

Denisov avoids postmodern clutter by putting critical distance between himself and the music - this is a fantasy. Jürg Henneberger and Hedwig Fassbender avoid the hard sell, keeping the make-believe... — Gramophone Magazine, October 2009 More…